Sonntag, 31. Oktober 2010
visual scope page 2
cont. from previous page.......Personal perception is one dimension, see world word and my Time units and syllables on world map.
The arrangement for the space flight takes place in the 30D which is above the Ley lines.
In order to qualify the relativised 30 yards in that is is in one way the whole journey we have to follow on with the reduced geometrical pattern.
The 30 yards of the visual scope pattern is two dimensional in that it has two sides to it. But it is basically six dimensional. See my multi dimensional co-ordinate diagramme. If something is presented with two dimensions, i.e. as having two sides or two angle arms it can easily be converted to six dimensions (see sixer system) because the sides can be different sizes. The two sides can interrelate and the different sizes can lead to further deductive dimensions being established.
The reaction in the brain in my system to different words is maximum 60 watt, depending on angular positioning of the issuing agent.
We have a relativised distance of 30 yards when placing my diamond locator over the area of one of the pictures in the book 'Cosmos' by Giles Sparrow.
There should be no more than three spectral intakes per mile squared during journey. This is then a reality when travelling in the 60D (depth dimension), with the dispersal of real hazzards indicated by the successive visual scopes. (see formular three for the replacement of gravity by light).
There is only one dgress of visible Light (my value) present in the 60D.
The arrangement for the space flight takes place in the 30D which is above the Ley lines.
In order to qualify the relativised 30 yards in that is is in one way the whole journey we have to follow on with the reduced geometrical pattern.
The 30 yards of the visual scope pattern is two dimensional in that it has two sides to it. But it is basically six dimensional. See my multi dimensional co-ordinate diagramme. If something is presented with two dimensions, i.e. as having two sides or two angle arms it can easily be converted to six dimensions (see sixer system) because the sides can be different sizes. The two sides can interrelate and the different sizes can lead to further deductive dimensions being established.
The reaction in the brain in my system to different words is maximum 60 watt, depending on angular positioning of the issuing agent.
We have a relativised distance of 30 yards when placing my diamond locator over the area of one of the pictures in the book 'Cosmos' by Giles Sparrow.
There should be no more than three spectral intakes per mile squared during journey. This is then a reality when travelling in the 60D (depth dimension), with the dispersal of real hazzards indicated by the successive visual scopes. (see formular three for the replacement of gravity by light).
There is only one dgress of visible Light (my value) present in the 60D.
Visual Scope
60 angles within a triangular area of 120° with arms of 30 yards each represent one whole initial visual scope. Its vision voltage varies according to observer. The spectral intakes, which are related to gravity/reality buds and the degrees, are ordered according to the world word, NB (a network of angles surrounds the earth at a height to 60 metres with a potential 60 watt load at each apex).
The 60 angles of the whole initial visual scope decreases to 30 angles at 30 yards from any observer and the visual scope broadens to 125°.
In this way we can align distance with visual perception and utilize this factor.
For all intents and purposes everything viewed beyond 30 yards is within 30 yards and this is made relative to actual distance by successive visual scope linkage patterns.
A good example of this factor is viewing areas in space in the book 'Cosmos' by Giles Sparrow through my diamond locator. These two objects are exactly proportional for a utilized perception of distance factor and add vision voltage to the linkage systewm. During travel it is essential to only have three spectral intakes per mile squared in order to eliminate dangerous spaces and objects.j Dangerous spaces and objects can be limited to potential by the manipulation of Time.
In order to qualify the 30 yards we have to follow on with the reduced geometrical pattern. Colour factors with their emotional weight ease the patterning and accessing past time and geometrical structures can be incorporated allowing for the use of Time as a factor enabling space flight.
The spectral intakes for the first 30 yards are l00-l01 and 110.
The angle arms of the visual scopes extend in all six dimensions.
The 60 angles of the whole initial visual scope decreases to 30 angles at 30 yards from any observer and the visual scope broadens to 125°.
In this way we can align distance with visual perception and utilize this factor.
For all intents and purposes everything viewed beyond 30 yards is within 30 yards and this is made relative to actual distance by successive visual scope linkage patterns.
A good example of this factor is viewing areas in space in the book 'Cosmos' by Giles Sparrow through my diamond locator. These two objects are exactly proportional for a utilized perception of distance factor and add vision voltage to the linkage systewm. During travel it is essential to only have three spectral intakes per mile squared in order to eliminate dangerous spaces and objects.j Dangerous spaces and objects can be limited to potential by the manipulation of Time.
In order to qualify the 30 yards we have to follow on with the reduced geometrical pattern. Colour factors with their emotional weight ease the patterning and accessing past time and geometrical structures can be incorporated allowing for the use of Time as a factor enabling space flight.
The spectral intakes for the first 30 yards are l00-l01 and 110.
The angle arms of the visual scopes extend in all six dimensions.
Montag, 11. Oktober 2010
an infinite decimal amount
an infinite decimal amount can be written as a fraction using bio-units because bio-units are broken with time pauses representing physical space.
This is a way of entering and manouvering in the 60D also employing the subject dimensions which can hinder entry into and the use of the 60D.
This is a way of entering and manouvering in the 60D also employing the subject dimensions which can hinder entry into and the use of the 60D.
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