Mittwoch, 24. November 2010
My clock
0.4.03 indicates a time. On my two faced clock it indicates the space on the large face between 360°am and 36°am. Also when using 0.4.03 as a time indicator the small face would be at the 4th 36° i.e. 180° with the final three indicating three Time quants past the 180°, (not 144°?. The first 0 would consider the Nothing, Infinity and Six factor contained in the 0 in relation to the Time-position involved.
This latter small face indication also denotes the south pole. This actual setting of the two faces can contain Immanence, mainly because the large clock face setting is set at 0, i.e. between the end of Time measurement and the new beginning. This large clock face setting has no exact Time definition except that 360° reduces to 36°am and that it is the position of the North Pole. Time-wise, however, it can be taken as an inflationary square and can include a non-time associatied area or condition, such as immanence.
One can rotate the smaller clock face up until 180° from origin. Further than this would denote night Time. One can only rotate it at a rate of ten Time Quants or less per sixteen minutes and at the moment only clockwise.
The 0.4.03 can be broken down in the 36er system (6er system) and the five alternative computer system, i.e. yes, no, more, less, maybe.
In order that the world is coordinated Time-wise, the small face can be adjusted to match the time of any area in the world and as it involves degrees these in turn can be coordinated to match any area within the universe.
Bringing Time into unity, i.e. an all-encompassing Time unit is essential for successful space travel and Beaming. This requires that there is a World Word that is permanently being spoken and I have therefore given the small clock face some of my language symbols.
One needs to rotate the small clock face when aligning Times to just minimal discrepancy which would be between recognised positions. A Time can be
matched to any other time position (on the large face?) by angular manipulation and colour (see page 90)transference. A word or symbol would arise.
This latter small face indication also denotes the south pole. This actual setting of the two faces can contain Immanence, mainly because the large clock face setting is set at 0, i.e. between the end of Time measurement and the new beginning. This large clock face setting has no exact Time definition except that 360° reduces to 36°am and that it is the position of the North Pole. Time-wise, however, it can be taken as an inflationary square and can include a non-time associatied area or condition, such as immanence.
One can rotate the smaller clock face up until 180° from origin. Further than this would denote night Time. One can only rotate it at a rate of ten Time Quants or less per sixteen minutes and at the moment only clockwise.
The 0.4.03 can be broken down in the 36er system (6er system) and the five alternative computer system, i.e. yes, no, more, less, maybe.
In order that the world is coordinated Time-wise, the small face can be adjusted to match the time of any area in the world and as it involves degrees these in turn can be coordinated to match any area within the universe.
Bringing Time into unity, i.e. an all-encompassing Time unit is essential for successful space travel and Beaming. This requires that there is a World Word that is permanently being spoken and I have therefore given the small clock face some of my language symbols.
One needs to rotate the small clock face when aligning Times to just minimal discrepancy which would be between recognised positions. A Time can be
matched to any other time position (on the large face?) by angular manipulation and colour (see page 90)transference. A word or symbol would arise.
Dienstag, 16. November 2010
An add-on to the last blogg on bio-units
The thrity-six symbol when associated to the pause in a bio-unit also indicates one second of musical nature and one colour quant as well.
Samstag, 6. November 2010
More on Visual Scope
With regard to the visual scopes no angle is greater than 45° (see diagramme). This necessitates forming other angles to get to the next number or reality conglomerate and this is how potential/reality proceeds.
The Use of the HumanVoice
A form of induction coil could be used for trasmitting the mild electrical energies of the human voice to the energies needed to convey the ship on sound tracks. Breath plays a role here.
The relation of a human life span to one journey in space is relevant here, especially in that everything human would be significant and could be used.
3e could be transformed midway through the reality frames surrounding the ships to twelve megatons (relation important)
The relation of a human life span to one journey in space is relevant here, especially in that everything human would be significant and could be used.
3e could be transformed midway through the reality frames surrounding the ships to twelve megatons (relation important)
More on the 36er System
If a problem occurs in space travel give the initial one centimetre digit of my 36er system an infinite amount of the feature involved in the problem. Each feature of the problem feature would be treated this way, if necessary. Relate the physical aspect of the individual problem involved to a physical measurement of one centimetre and relate the abstract infinite amounts to physicality, the information on which is also contained in the one centimetre. The following digits within the 36er system broaden in symbol yet mathematically form amounts digitally signified in the one centimetre and a course of action can be undertaken which combines amounts and reality changing symbols in a carefully designed fashion. The outcome must relate to one.
The physicality mentioned above could be any aspect of the human form. This is important when considering the life span and immortality aspects of space travellers during space travel (see blog). The human form is related to noise and would resonate in space with cosmic noise. The use of cosmic noise, especially the music within Light co-ordinates the human life span, human form and immortality aspects with the vagaries of massive distances in ratioed minute time spans. It also co-ordinates these aspects with the cosmic environment. Seven life spans are usually needed for a short space flight.
0+N is a good way to signify potential at its most powerful, i.e. six, Nothing and infinity + Nothing = Potential at its most powerful.
As nothing is known about Nothing only that the Nothing beyond the universe contains potential then there is always an answer to the problem involved by transferring this potential (i.e. six;Nothing;infinity + Nothing) from Nothing. We use the three pronged aspects that come into being as Nothing seeps through the borders of the universe and which are then within our experience, i.e., our 20D, 30D amd 60D experience and interplay them or weave them and conclude an answer to the problem.
We have to think out the answer by using and guiding the three pronged aspects against an infinite background of potential. Diagrammes and mathematics, especially my 6er system are involved here. Fortunately the 6er system combines the diagramme factor with mathematics.
In this way there is always an answer with which to counteract danger.
The physicality mentioned above could be any aspect of the human form. This is important when considering the life span and immortality aspects of space travellers during space travel (see blog). The human form is related to noise and would resonate in space with cosmic noise. The use of cosmic noise, especially the music within Light co-ordinates the human life span, human form and immortality aspects with the vagaries of massive distances in ratioed minute time spans. It also co-ordinates these aspects with the cosmic environment. Seven life spans are usually needed for a short space flight.
0+N is a good way to signify potential at its most powerful, i.e. six, Nothing and infinity + Nothing = Potential at its most powerful.
As nothing is known about Nothing only that the Nothing beyond the universe contains potential then there is always an answer to the problem involved by transferring this potential (i.e. six;Nothing;infinity + Nothing) from Nothing. We use the three pronged aspects that come into being as Nothing seeps through the borders of the universe and which are then within our experience, i.e., our 20D, 30D amd 60D experience and interplay them or weave them and conclude an answer to the problem.
We have to think out the answer by using and guiding the three pronged aspects against an infinite background of potential. Diagrammes and mathematics, especially my 6er system are involved here. Fortunately the 6er system combines the diagramme factor with mathematics.
In this way there is always an answer with which to counteract danger.
Freitag, 5. November 2010
More on Gravity, Light and Time
70-10.03x10=Light having replaced gravity for ten seconds (see my number 49).
The formula is accurate and is one of standard ratio.
The 70 is gravity, but in the performing of the equation the 70 has been associated or measured against the passive element of density (be careful)and absolute mass of 3000 000 tons at 0.3mm two dimensional diametre. This amount is greater than a black hole and can, therefore, be retainded in the 20D spectrum of understanding.
We can balance this degree of density by exchanging gravity with Light.This can be done through the 6 er system. A first step would be to give the decisive first centimetre an unlimited density potential.
The 10.03 is the smallest amount of light allowed. I have crudely divided visible light between one and ten but these units are multiplied by 10 because of the passive potential of light to evoke reactions. There are, therefore, other elements involved regarding my scale of the breakdown of visible Light. These involve my numbers and the sixer system.
The 10 is a moment of ten seconds. This is the maximum length / volume for a moment allowed. The minimum moment is 0.3 seconds, remembering here that ten seconds can be related to ten years of space.
The resulting 597 dispersal factors are e linking with the passive elements in gravity, density and Light.
The gravity count is related to the density count, my numbers 1-101 and 110 being the medium between the two.
The 10.03 is related to the formula on the passive gravitation of light.
Maybe the power used to project the vocal units is given by the cosmic wind and this is then added to the sound permeating the universe.
The formula is accurate and is one of standard ratio.
The 70 is gravity, but in the performing of the equation the 70 has been associated or measured against the passive element of density (be careful)and absolute mass of 3000 000 tons at 0.3mm two dimensional diametre. This amount is greater than a black hole and can, therefore, be retainded in the 20D spectrum of understanding.
We can balance this degree of density by exchanging gravity with Light.This can be done through the 6 er system. A first step would be to give the decisive first centimetre an unlimited density potential.
The 10.03 is the smallest amount of light allowed. I have crudely divided visible light between one and ten but these units are multiplied by 10 because of the passive potential of light to evoke reactions. There are, therefore, other elements involved regarding my scale of the breakdown of visible Light. These involve my numbers and the sixer system.
The 10 is a moment of ten seconds. This is the maximum length / volume for a moment allowed. The minimum moment is 0.3 seconds, remembering here that ten seconds can be related to ten years of space.
The resulting 597 dispersal factors are e linking with the passive elements in gravity, density and Light.
The gravity count is related to the density count, my numbers 1-101 and 110 being the medium between the two.
The 10.03 is related to the formula on the passive gravitation of light.
Maybe the power used to project the vocal units is given by the cosmic wind and this is then added to the sound permeating the universe.
Past Time Perusal
The energy received from the planets, which interact with the language entities within the natural Earth pattern create a dynamic movable energy which also can create a spirit.
However, this spirit can interact with the feelings and thoughts of humans within theses areas and a reality is formed. Humans interact, dictated to by these forces and using the animating ever prevalent breeze, the breath of life or of God, happenings take place.
Re-capturing these energies using also the Death energy, i.e. the fact that dying cells release an imprinted life energy means that past codes can be read and seen in a sort of recording of the past.
Death energy and its relation to gravity will be an intersting factor for discussion in as much as gravity must be kept under control when creating the more physical aspects of the past-time-perusal.
However, this spirit can interact with the feelings and thoughts of humans within theses areas and a reality is formed. Humans interact, dictated to by these forces and using the animating ever prevalent breeze, the breath of life or of God, happenings take place.
Re-capturing these energies using also the Death energy, i.e. the fact that dying cells release an imprinted life energy means that past codes can be read and seen in a sort of recording of the past.
Death energy and its relation to gravity will be an intersting factor for discussion in as much as gravity must be kept under control when creating the more physical aspects of the past-time-perusal.
Donnerstag, 4. November 2010
Speech Geometrical Factors and Potential 3
The 1.1 1.2 are now evenly spaced on the 'screen', i.e. throughout the universe.
Making all problems relate to the 1 cm gives access to the 1.1 1.2 system and also to probability factors. The resulting avoidance of hazzards can be projected as being between the 1.1 1.2
Making all problems relate to the 1 cm gives access to the 1.1 1.2 system and also to probability factors. The resulting avoidance of hazzards can be projected as being between the 1.1 1.2
Mittwoch, 3. November 2010
Part of article 6 Book b
The time-sound curve, i.e. S curve arching the two parallel lines is the third Dimension involved in probability within the 60D
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