Safely Semi-fictionalising the Earth's Core

As stated in an earlier post the withdrawal of colour and its related gravity/reality associations results in the semi-fictionalising of a subject.  In the same way the earth's core and related parts can be semi-fictionalised which makes us able to safely   make the West the East, which is essential for photographing the past and using vast areas of past Time for space travel.

One act of reversal would be the equivalent of one day and almost any Time count can be relativised to the one day.  This proceedure would also  be useful when unloading the energy in an earthquake either one building up or one taking place.  It would also make beaming safer.

The withdrawal of colour would involve configuring Light and adapting its musical inclusion to give a semi-fictional instead of a material quality to an object.

This would temporarily avert the object's reality interaction and this could be accommodated for when giving the 'have' or full materialisation instruction (see early post).  The above having been done, the object would be almost independent of Time as we know it.

The gravity/reality associations related to colour (see blog) would have to be physical information converted to an immaterial energy design or pattern.  Numbers have this quality when they are used divinely and, of course, as I have tried to indicate with my initial one centimetre number one (see blog), the information in physicality can be contained in diagrammes.

The beamed object or otherwise semi-fictionalised object would have a Time and reality discrepancy as it would no longer be co-ordinated with four dimensional experiencing.  The beamed object would have this discrepancy because it would cover potentially thousands of miles in about two seconds and any other semi-fictionalised object moving at a slow rate or stationary would have its usual interactive state immobilised.  The latter can only happen for ten seconds (see blog for converting seconds into my smallest Time units).

Human Potential with Regard to food

There is an automatic no food needed potential in the human brain which needs to b e activated during space flight and discovering (re-discovering) the universe.  One reason is the vast practical advantages of not needing food and the other is the condensed Time factor and the visual realtionship of the travellers to this factor.

I am not sure yet about the intake of liquid.

More on the Parallel Lines

The parallel lines at either side of the ship, (see blog) are designed as stages i.e., portions of space flight in Time-Volume packets which accommodate for changes in direction of ship and curving that  Time and Volume manipulation involves.

Each Time-Volume packet is dependent on visual scope measurements and assessments.  The natural curvature of the universe involved in such a large space as the universe is largely dictated by the fact that the universe is revolving and the manipulation of Time and Space within it is dependent on the nothing-massive density puzzle outside the edges of the universe (see blog).

Once these factors are taken into consideration a natural curvature for any given Time can be ascertained and Time-Volume pockets can be worked out (see starting ships in past time energy occasions or quants).

Individual Time-Volume pockets always interelate with the natural curvature of the universe.  They are dependent on it.  And using visual scope may be a means of accessing this relationship.

Perceptive Energy

A three inch reality (see previous post) is a word/colour based structure involving a three inch amount of percerptive spectral  intake energy.  It is the standard transferrable amount.  The three inches is programmed into the initial one cm (see 36er system).  This is about the amount of energy contained in a three inch square peice of ash tree trunk.  In this energy I do also include the brain's response to the object and the phyisical energy involved in the effort to evaluate it.  Also included is its equating angular ernergy as it relates to other positions and objects.

Once we can determine how objects relate to different positions and other objects we can place them in other Time/volume realities/frames such as areas in outer space and in other areas on earth.

Light, Time and Reality

Light and Time are related through music and these factors help an individual to relate.  They are separate from the individual but are present as aids within her reality in which she is the surrounding, all encompassing relevant and perceiving factor.

Light and Time and music can, as stated, exist independent of an individual's reality (I sometimes feel they are lent to us by God) and Light, Time and music are factors which we can manipulate to transfer a reality frame (see blog) through massive distances.  Here the human life span dimension and other human relagted facilities are used. (see blog)

It is also useful here to mention the tool of human omnipresence which applies to the individual's reality (position) and which can  be temporarily expanded to outer space.

An individual's three inch realised reality can be expanded to a three billion kilometer reality projected into any direction.  The hostile conditions would be removed as stated in blog, i.e. by using gravity words and reality diagrammes as indicatred by the 36er system. The 36er system (see work) has duel reality influencing andf calculus properties.

More on the Eternal Life Factor

The space traveller puts himself or herself into the semi-fictional state when governing the eternal life and extended moment factor. (see post 1st Oktober 2012, the Human Life........)

Time Viewed Differently

So far we have measured Time and not shape as the passing elememnt, but Time is a static, still frame permeating whatever reality one is in. However, shape is always changing, whether space or one's settee or the sun or moon.

Time and shape relate; however, in that position depends on the division of Time into measured sections and shape is a manifestation of position within varying and alternating frames.

Also defining Time we are defining the passage of reality and reality, although of a divine nature, is determined by shape.

The Human Life Span Aspect in Space Flight

A way of enhancing the human life span aspect of a space flight is to use the Divine element  pertaining  to humanity and that many  people are picking up which is that of physical immortality.  Firstly this casn be used to adapt the space travellers body to travelling massive distances.  It would run current to the relativised 60 Dimension and would apply to our present 20 Dimension (see work).

And then at the same time running this programme with the extension of the  single moment as many spiritual people do.  This would enable the human body to accommodate for the vagiaries of covering light years in split seconds.

The time taken for eating and digesting an apple as recently mentioned would be the experienced temporal mode of the average space person, with the modes mentioned above being used by the person on the computer on board the ship.

three billion cubic miles would be an extended moment of ten seconds and would involve a temporary immortality rate of ten years.  (See work on, I think it was, the extension of three seconds to ten seconds then ten hours.

More on the Divine Gap

Calculating the Divine Gap for space flight involves chance degrees, taking bin statistics, 30° and colour units (see previous post),  leading to reality components.

Chance degrees are assessed by vision voltage which results in visual scope. I.e. if a potential happening is three miles away, whether relativised or not and consists of three sets of visual scope (see work), then six hazsards of each 30° (see colour relation and planet involvement) can take place. The delay measurements of taking the bin are described in post 'The Divine Gap and Hazards' 2 Jan 20l2.

The colourt units leading to reality components involves adjusting the reality forming energy (colours etc.) coming from the planets and shuffling them to form an avoidance participle.  To understand this my calculations on colour, speech and gravity (see blog) and the resulting gravity/reality buds are used.

Shade, the Planets and Space Travel

There are twenty degrees of shade power within each colour coming from the planets.  They develop a personal touch during their transmission from the planets and their mingling with human spheres.  The mathematics of this interelationship can be seen in the way their outcome influences reality.

However, the one to twenty of each colour  are units of usability.

One should consider here that colour shades are subordinate to white Light. White Light has a relationship to the clear quartz crystal with its bridge between the animate and inanimate.  Using the clear quartz crystal helps adjust the human metabolic rate equating it to 73 years, i.e. the human life span involved in space flight, as it stretches over one space flight with enormous Time adjustments.