To continue my essay on the position of the heart within outer space at specific Times and in specific positions as the journey proceeds I would add that it relates to forty-five years on the life span scale. The 45 years is denoted by the area in Time-Volume indicated in work according to the diamond locator when measuring the approach to Arieles. The 45 years, of course, remains static throughout the permanent change in lives, Time and position (see blog). It has an Information Square value size of twelve inches squared, which involves the informatioon in computerised semi animate form on area, Time-Volume, visual scope,. temperature, hazzard and gravity. This information can be put into bio unit form and contained/related within the musical coding in Light.
The 45 within the 36er system is transcribed as being two measuring squares or Light widths, i.e. 1-10 plus 1-10 to the right and two down. This relates to the above positioning with regard to its presentation by the diamond locator when depicting an area in space, and on a 12" squared computer screen.
The 45 indicated within the 36er system is a 36 symbol, a sixer symbol and then three of the initial five strokes (see blog). These are the diagrammatical equivalents of 45, and the related area definitions within outer space.
Samstag, 27. April 2013
Vision Voltage and Beaming
The vision voltage aspect mentioned in work can be used for beaming and controlling ships in space as this transmuted energy can desynchronise gravity and mass, which is a factor necessary if we are going to establish beaming in conventional physics. I am sure vision voltage which is a transcribed sun energy can be harnessed and applied to our mobiles to facilitate beaming.
Time can be partially manipulated which is also necessary for beaming, by understanding the musical quality in light, (see blog) especially using my information on Light and my scale for measuring light. When desynchronising mass and gravity I would recommend a one to three ratio continually exchanging between both factors and the time and other factors allowed for beaming as mentioned in work regulated to match this.
Time can be partially manipulated which is also necessary for beaming, by understanding the musical quality in light, (see blog) especially using my information on Light and my scale for measuring light. When desynchronising mass and gravity I would recommend a one to three ratio continually exchanging between both factors and the time and other factors allowed for beaming as mentioned in work regulated to match this.
Human physicality and Spaceflight
209.364 28.30.91 with the 28.30.91 being written smaller and at half the height of the 209 364 is the bio unit representing the heart aspect within space flight or more accurately a space journey.
A bio unit is a musical expression within the decimal broken state mentioned in work and in this sense refers to a part of the body associated to a varying position within the vastness of the universe. A bio unit thus expressed is the working power within, sight and within physical objects. Its temporal position can be described as Q or q, which involves in this case three seconds and these three seconds relate to its transferrable spatial position of 2.839.28 squared inches, when viewed from an all important visual distance of 12 inches, and when surrounded by a reality frame (see blog). See work on relative size in the 60Dimension.
The transferrable positionn of the heart or bio unit as illustrated above is within stage three of a computer programme.
I don't know if these figures are a lot of nonsense but I can't express it in any other way. Maybe the figures in my work are accurate or maybe not. Maybe they will just inspire someone with more mathematical knowledge than me to work out some of the ideas in my work.
The visual distance mentioned above is the distance realised by the individual's consciousness when viewing a situation or object. This consciousness has great relevance in the individual omnipresence calculations needed for successful space travel (see blog). 12 inches is the maximum and is associated to the actual distance mentioned in my work on visual scope. Also actual distance can be calculated and varied according to the energy in spectral intakes, causing time to vary. The 12" vary too but both of these aspects react seemingly indiscrimanently from each other. There is, however, an angular relationship between the units on both scales and this follows an intricate pattern of recognition, especially that of organising the relationship of time to the permanent change in the position of items of reality.
A bio unit is a musical expression within the decimal broken state mentioned in work and in this sense refers to a part of the body associated to a varying position within the vastness of the universe. A bio unit thus expressed is the working power within, sight and within physical objects. Its temporal position can be described as Q or q, which involves in this case three seconds and these three seconds relate to its transferrable spatial position of 2.839.28 squared inches, when viewed from an all important visual distance of 12 inches, and when surrounded by a reality frame (see blog). See work on relative size in the 60Dimension.
The transferrable positionn of the heart or bio unit as illustrated above is within stage three of a computer programme.
I don't know if these figures are a lot of nonsense but I can't express it in any other way. Maybe the figures in my work are accurate or maybe not. Maybe they will just inspire someone with more mathematical knowledge than me to work out some of the ideas in my work.
The visual distance mentioned above is the distance realised by the individual's consciousness when viewing a situation or object. This consciousness has great relevance in the individual omnipresence calculations needed for successful space travel (see blog). 12 inches is the maximum and is associated to the actual distance mentioned in my work on visual scope. Also actual distance can be calculated and varied according to the energy in spectral intakes, causing time to vary. The 12" vary too but both of these aspects react seemingly indiscrimanently from each other. There is, however, an angular relationship between the units on both scales and this follows an intricate pattern of recognition, especially that of organising the relationship of time to the permanent change in the position of items of reality.
Mittwoch, 17. April 2013
Ageing-Time and Temperature
Ageing-Time with regard to the 73 years life span aspect of spaceflight (see blog) is controlled by Temperature. A 3° fluctuation (reduction) within the ship, resulting in a 0.75° reductionn in body temperature governs the 73 year ageing process.
This Time process runs on one level as does the many lives immortality aspect of spaceflight (see blog). The 73 years runs repeatedly outside of ship, while the reduction in body temperature maintains a fractional ageing Time difference within the ship.
The two aspects of temperature mentioned above are carefully balanced with the temperature outside of the ship, with the minute changes mentioned controlling the temperature problems outside of the ship.
A conducting element of sound coming from within the ship which conveys the temperature control outside as it does inside the ship is recorded within the reality frame surrounding the ship and modifies the extreme temperatures of outer space.
Temperature or a certain degree of heat exists throughout the universe and heat is a form of medium within it. Balancing this medium and initiating a condition just above inertia or a state of temperature equilibrium through sound distributing heat 'molecules' evenly creates an equilibrium of almost static ageing wihin the ship. The sound can originate as normal human functions from within the ship.
This Time process runs on one level as does the many lives immortality aspect of spaceflight (see blog). The 73 years runs repeatedly outside of ship, while the reduction in body temperature maintains a fractional ageing Time difference within the ship.
The two aspects of temperature mentioned above are carefully balanced with the temperature outside of the ship, with the minute changes mentioned controlling the temperature problems outside of the ship.
A conducting element of sound coming from within the ship which conveys the temperature control outside as it does inside the ship is recorded within the reality frame surrounding the ship and modifies the extreme temperatures of outer space.
Temperature or a certain degree of heat exists throughout the universe and heat is a form of medium within it. Balancing this medium and initiating a condition just above inertia or a state of temperature equilibrium through sound distributing heat 'molecules' evenly creates an equilibrium of almost static ageing wihin the ship. The sound can originate as normal human functions from within the ship.
Sonntag, 14. April 2013
The Relevance of My 36
The parallel Lines around the 0 in my 36, (see blog) can be given different sizes. These indicate the different sizes of the 0 which vary according to the presence needed, up to the size of omnipresence.
The 0 in one respect relates its object, i.e. the ship to staticity/infinity (see previous post) and the length of the parallel lines outside the 0 in my digit representing 36 is used to relate the size of the presence needed with the length of each 60D phase of each journey.
The length of each 60D depth phase is dependent on the density of Time-Volume present (see details on Blog) and vacuum exsisting in an area. Once these factors have been ascertained space (Raum) can be modified (bent or discarded), factors which help in space flight when covering enormous distances.
The ship has a relationship to infinity for the following reasons; the 0 in the 36, in this case the ship, is surrounded by parallel lines. Also the space taveller has to relate his life to the immortality aspect in order to align 60Dwith 20D travelling (see blog) (20D, as mentioned, is the four dimensional Earth experience). It also relates to the yes, no, more, less, maybe, five alternative computer system mentioned and to the ethics code illustrated in work. These give life, action, furtherance to the static state of presence shown by the 0 and to the infinity aspect and take the danger out of the immortality control. I would mention here (that the 0 also means six and Nothing.
See work on journey to Arieles to draw relationships between the size of the 0 neeeded to co-ordinate it with different areas in the universe.
The parallel lines around the 0 are designed in size as decimal fractions relating to multiples of any 36. They make possible the utilization of diagramme, and a universally applicable whole number and the massive potential of a broken state, i.e. fractional Time and Space.
The 0 in one respect relates its object, i.e. the ship to staticity/infinity (see previous post) and the length of the parallel lines outside the 0 in my digit representing 36 is used to relate the size of the presence needed with the length of each 60D phase of each journey.
The length of each 60D depth phase is dependent on the density of Time-Volume present (see details on Blog) and vacuum exsisting in an area. Once these factors have been ascertained space (Raum) can be modified (bent or discarded), factors which help in space flight when covering enormous distances.
The ship has a relationship to infinity for the following reasons; the 0 in the 36, in this case the ship, is surrounded by parallel lines. Also the space taveller has to relate his life to the immortality aspect in order to align 60Dwith 20D travelling (see blog) (20D, as mentioned, is the four dimensional Earth experience). It also relates to the yes, no, more, less, maybe, five alternative computer system mentioned and to the ethics code illustrated in work. These give life, action, furtherance to the static state of presence shown by the 0 and to the infinity aspect and take the danger out of the immortality control. I would mention here (that the 0 also means six and Nothing.
See work on journey to Arieles to draw relationships between the size of the 0 neeeded to co-ordinate it with different areas in the universe.
The parallel lines around the 0 are designed in size as decimal fractions relating to multiples of any 36. They make possible the utilization of diagramme, and a universally applicable whole number and the massive potential of a broken state, i.e. fractional Time and Space.
Static Time Frames
A static Time Frame, which can involve the Person denotes infinity. However, the individual Time frame is infinity and not the overall condition/picture it is in, i.e. that successive Time frames follow and preceed the static Time frame and that outside the walls of the Time frame there is a Time flow which can be relativised to it. Once we percieve that things involved in the Static Time Frame are necessarily changing in relationship to each other we can associate this to their encompassing static Time frame and induce a Time flow, regulating its speed at will.
This aspect can be used in connection with the 'switch on' immortality needed to cover massive distances in space travel (see blog) and can be used to regulate the 73 years, i.e. a distance of one life span needed for a standared space journey.
This aspect can be used in connection with the 'switch on' immortality needed to cover massive distances in space travel (see blog) and can be used to regulate the 73 years, i.e. a distance of one life span needed for a standared space journey.
Freitag, 12. April 2013
The Advantages of the 36er System
It is difficult to get a relationship to things/everything with present day mathematics, especially as people claim that the amount of natural numbers is infinite. As nothing, including Nothing is infinite, then the digits describing things can't be infinite. They might be infinite in nature but this makes them merely hypothetical and even more estranged from substance and reality.
The fact that Nothing becomes something means that it isn't infinite. Even God is contained.
However, my 36er system behaves differently. Every singe item has a solid quality of One cm (i.e. the initial one cm, see blog). Characteristics of the initial One cm, ie.of the item concerned are described by programming them basically in decimal form into the One cm. Amounts of the thing are delineated by the succeeding digits of the 36er system, (see blog). The fact that everything is transient and changes over Time and that each 36 is a conclusion in Time and delineation of semi-physicallity makes mathematics real, materially related on-going and not having an infinite nature.
The 36er system also facilitates Time manouverability. (see blog)
The fact that Nothing becomes something means that it isn't infinite. Even God is contained.
However, my 36er system behaves differently. Every singe item has a solid quality of One cm (i.e. the initial one cm, see blog). Characteristics of the initial One cm, ie.of the item concerned are described by programming them basically in decimal form into the One cm. Amounts of the thing are delineated by the succeeding digits of the 36er system, (see blog). The fact that everything is transient and changes over Time and that each 36 is a conclusion in Time and delineation of semi-physicallity makes mathematics real, materially related on-going and not having an infinite nature.
The 36er system also facilitates Time manouverability. (see blog)
Sonntag, 7. April 2013
De-synchronising and Synchronising Different Factors when Considering Beaming
De-synchronising mass with gravity and bringing Time to from a quarter of the speed of light to the speed of Light helps facilitate Beaming.
Time would in this case be accelerated by running it around the lines of a border of a square or parallelogramme as the Square or Parallelogramme would be a relativised statement of the world with of course its relationmship to massive Time pockets and areas within the universe. (see work)
This information can be applied to the linear approlach denoted physically by my lines and illustrated by 'squaring' the linear mathematics of the sun.
The lines are broken down by numbers and distances, angles and overall length when designing them for beaming. The squares or oblongs denoting the related transformed mathematics of the sun are filled witzh the coded energy coming from the sun with regard to Light and Gtravity.
A quarter of the speed of Light is one of my smallest Time units (see blog). The speed of light is denoted by one musical unit which is a trillionth of one of my 36 disvisions on my clock. (see blog(). One beams within this range.
Time would in this case be accelerated by running it around the lines of a border of a square or parallelogramme as the Square or Parallelogramme would be a relativised statement of the world with of course its relationmship to massive Time pockets and areas within the universe. (see work)
This information can be applied to the linear approlach denoted physically by my lines and illustrated by 'squaring' the linear mathematics of the sun.
The lines are broken down by numbers and distances, angles and overall length when designing them for beaming. The squares or oblongs denoting the related transformed mathematics of the sun are filled witzh the coded energy coming from the sun with regard to Light and Gtravity.
A quarter of the speed of Light is one of my smallest Time units (see blog). The speed of light is denoted by one musical unit which is a trillionth of one of my 36 disvisions on my clock. (see blog(). One beams within this range.
Samstag, 6. April 2013
Numbers, Gravity and Change
To find the gravitational energy in the word as indicated in my work, the inherrrent power in numbers must be ascertained - in this case my numbers from one to one-hundred and one, then one-hundred and ten, along with the associations I have listed.
Three equals gravity and Light and is measured as one unit according to the Time taken to eat an average size apple. This is one Light-gravity unit and has, as mentioned the value in three. One ascertains the power in numbers partially by using angular relations of objects, understanding change and using visual scope.
Understanding change involves classifying objects and areas in space in parallelopgramme form or oblong form, i.e. interpreting their energy count into evenly spread gravity buds or reality units within the alloted paralellogrammes. These are then influenced by Light, especially the musical content of Light and can be re-arranged partiallly by the coding in Light.
Three equals gravity and Light and is measured as one unit according to the Time taken to eat an average size apple. This is one Light-gravity unit and has, as mentioned the value in three. One ascertains the power in numbers partially by using angular relations of objects, understanding change and using visual scope.
Understanding change involves classifying objects and areas in space in parallelopgramme form or oblong form, i.e. interpreting their energy count into evenly spread gravity buds or reality units within the alloted paralellogrammes. These are then influenced by Light, especially the musical content of Light and can be re-arranged partiallly by the coding in Light.
Living on Other Planets
The advantage of being able tzo manifest needs by a computer programme (see early posts) is that extended space journies would be possible as supplies would be automatic. This would be done by colour and a programme which used Light. Once again I suggest a Light gradation of one to ten with each digit having ten gradations. The light count would include the elements described in work.
Having landed on a planet of suitable size and density, an atmosphere would be created and the automatic oxygen supply to the body which witches and magicians can use, i.e. without inhaling and exhaling would be applied over an extended period until suitable conditions for life on the planet existed.
Having landed on a planet of suitable size and density, an atmosphere would be created and the automatic oxygen supply to the body which witches and magicians can use, i.e. without inhaling and exhaling would be applied over an extended period until suitable conditions for life on the planet existed.
Related to Post 'Dienstag 11 Aug, 2011'
This system is akin to joining up words and the joining up of words is covered by the visual scope system mentioned in work. Sending words with our vision using the same angle energy counts seen in the work on visual scope is the broadcasting method which can remove hazzards in spaceflight.
Encircling an object or hazzard using the patterning depicted in my work of random circles connected by straight lines and re-placing the object by using the energy within sight and speech would help facilitate successful space flight.
Coded Light energy, involving many of the aspects covered in my work, i.e. those of colour and word power and that of gravity and its involvement in reality would have to be chanelled through the straight line leading to the random circle. Once again a light gradation of between one and ten with ten subdivisions to each digit would be applicable.After this volume diminuation would have to be applied.Volume diminuation involves evacuation of almost all of the Time involved in a position, i.e. eliminating a Time Frame and relating things newly to each other.
Encircling an object or hazzard using the patterning depicted in my work of random circles connected by straight lines and re-placing the object by using the energy within sight and speech would help facilitate successful space flight.
Coded Light energy, involving many of the aspects covered in my work, i.e. those of colour and word power and that of gravity and its involvement in reality would have to be chanelled through the straight line leading to the random circle. Once again a light gradation of between one and ten with ten subdivisions to each digit would be applicable.After this volume diminuation would have to be applied.Volume diminuation involves evacuation of almost all of the Time involved in a position, i.e. eliminating a Time Frame and relating things newly to each other.
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