Staticity, Creativity, pre-existence and Development

The word 'development' of something means its being released from its envelopment. This means it pre-existed. Here the development of the realities within the system of semi-repeating triangles when designing spaceflight, which would help us overcome huge distances in abbreviated Time episodes, reveals the potential of hidden and simultaneous parallels, the choice of which can be managed by understanding and using the facility of angles of approach (see work an blog).

As mentioned in early posts, the German word 'entwickeln', although suggestive of progress, is also literally the unbinding of what is already there. In a sense creating what is already there brings a sense of staticity and going back and forth in one's own Time Slot.

In both words, ie development and Entwicklung, whatever it is that enfolds relies on human aid to instrument its effect and to realise in our mind's eye or materially what went on; is going on or will go on (God willing). This is yet another aspect useful for the Individual Omnipresence Factor (IOF).

The function of memory is important here and also drawing on the Whole Memory.

Position, Circumstance and the Material

Position is linked to circumstance and there is a link here between the immaterial and material, ie; "well, if you take that position." Position is linked to Time and object and change and Raum, with each position/circumstance being of varying volume and reality engagement. It evolves at a different time and in a different passage of Time.

As a person views a circumstance from a different angle, this angle has been moulded by a previous circumstance, which brings physical and mental position and also myth and real into contact. These circumstances, ie, happening and human have all been instructed by cosmic and Earth's forces and they exist on a flat geometrical plane. Therefore there is a potential for identifying and reaching areas in the universe, which could be linked, especially with regard to their related Time phases.
Once again superimposing personal omnipresence onto the overall omnipresence energy factor and then withdrawing it once the desired destination, ie, position had been reached could help here.

Considering New Speed and Distance Ratios and Safety in Designing Spaceflight

I feel it is necessary to engage the spaceship in a large and repeating triangular movement once it is technically beyond the solar system in order to gain access to other speed to distance ratios, such as those contained within the 60 Dimension ( see early posts and work).

The circumstances relevant to human space travel beyond our solar system can be artificially induced and, as mentioned, are relevant in factors such as overcoming the controlling elements on humans of our local planets, as these possibly even weave  our physical composition.

The held state of entropy and the momentary many lives approach maybe useful as here the human relates angularly in a single very short moment to all the cosmic forces which determined and are related to the (his) repeated states of formation and finalities. He is then in a numbed Time abbreviated state which overrides the present cosmic and solar system related influences. Understanding the brain's reaction with regard to forgiveness and letting go maybe helpful here.

More on Omnipresence with Regard to Spaceflight

A spaceship would travel at up to a fraction less (0.6 percent?) of the speed of light, thus enabling a transfer of the individual omnipresence into/onto the general energy of omnipresence.

At this point, which would have aspects of a held or detained continuum, the many lives aspect ( see blog) would take place.

Concerning Body Temperature and Light with Regard to Spaceflight

The reduction in body temperature of 2 degrees centigrade (see blog) enables the astronaut's  composition to adjust to the Light speed and abundance factors existing during my ideas on spaceflight (my daughter tells me one would be dead then, but I am writing it as it is given). These factors enable the geometrical structure of the astronaut to interact with Light and code it with regard to the information needed to help conduct the flight. ( see here work on semi-repeated triangular Flight tracks).

In order to calculate the above perhaps a square graph with two aspects would be required with fixed and evenly spaced points of reference along the upper line of the square and along the right side and diffuse more random guages along the lower and left side of the square. This would enhance factors such as the points on the compass ie N.S.E. and West with their Time and Light dictates. The diffuse gauge on the left and bottom part of the graph would most probably be colour, shade and hue references.

More on Light and the Entropy Factor

The Light mentioned in the first paragraph of the post: The use of the Entropy Factor when Designing Spaceflight,  of October 2016, is subject to the Light Grades mentioned in my work.

It is important when defining these grades of Light to have colour definitions integrated into them, similar to the definitions within the electro magnetic scale.

Light and the Behaviour of Cosmic Bodies

The Light Quantity extends to the body (I am thinking here of cosmic bodies) and then it interacts with the properties of that body's mass or content. It interacts especially with the factor of mass.

This interaction creates the behaviour of the body. In order to control such a situation one has to consider creating temperature variances - usually a reduction of the temperature of about two degrees centigrade. Temperature interacts subtlely with  Light and this allows for very slight but powerful colour inferences to be programmed into it which could possibly lead to enabling the changing of a planet's position.

More Detailed Use of the 36er Mathematical System

The circle within the square depicting the 36 of my 36er mathematical system contains within it, in angle form, the design of what should happen. The angles and angle arms are a result of angles of approach and their physical and abstract results ie  the circumstances that evolve.  Think here of the word 'circumstance', it is an encircled stance - a stance being someone's attitude/approach towards something ie towards a circumstance.

This leads to the manifold complexity and mutual interconnectedness of reality; past, present and future and converts them to One inherent flat geometrical plane. (We have to be careful here that no intruder can initiate something like a domino effect once we understand this Oneness).

The programmed Initial One Centimetre of the 36er system (see blog) defines the amount and gives the values the amounts have when related to a solid or physical One Centimeter. The computerised proportions it relates are indicated within the remaining 35 characters of the 36er system.

As the angle arms within the circle (see above) vary in direction according to time, attitude, Time-phase of Day, Epoch and position (see work), the use of the amounts indicated by the Initial One Centimetre vary.

The factors mentioned above also indicate how the realities of the semi-repetitive triangular movement, which can overcome vast quantities of Time and Raum can be brought into existence (see recent work and blog).

The Use of Effort and the Entropy Factor when Designing Spaceflight

The Time Line between the effort for Entropy and the still stand itself is a channel of Time which has imagination and known fixed end result attached to it. The very nature of the quest requires action,  thus making it unattainable.

It illustrates a period of work or kinetic exchange. It is therefore part of the Life Factor and is possibly part of the many Life Spans mechanism (see work) involved when designing space travel.

The Relevance of (my) syllables and Symbols

The Syllables depicted in my early work and which are associated to my numbers and to the symbols I have indicated represent an amount of time. Time related to an utterance.

The symbols show the pattern formed in the brain when using their associated utterance, but these formulations also indicate activities within the Universe. Thus when identifying cosmic activities they are also indicative of positions within the Universe. Here we have a link between the human brain and cosmic areas, circumstances and Time.

Each syllable is a compound of twin elements - two elements ranging from the diffuse in definition to two acutely accurate amounts of Time. The latter can also be expressed in angular form. This indicates the potential for two elements to create activity, diversity and harmonised discrepancies such as Time and Raum differences.

The Use of the Entropy Factor when Designing Spaceflight

We can use the entropy factor when designing spaceflight as we can pour moments into one moment if we can imitate lack of movement.  To a certain extent this is possible within objects moving at very high speeds as they are accompanied by Light which permanently veers away as It adjusts to the object and makes room for it, ie reorganises Raum, Volume and Time in connection with the high speed object.

Using the function of entropy as it engages with these last factors, one can control the length of the Moment by making it have a depth wise sequence/nature at a north to west angle of 145 degrees, which is my description of the Sixty Dimension involved in earlier work.  One can see here the connection between the human element and the nature of the Universe as according to the depth of a person's nature a circumstance has an associated gravity as it lingers and can dominate their Gefuehlswelt for a longer time than in someone who is light hearted and brushes things off.  The Moment of the circumstance lingers in their feelings, mind and Memory for longer. (Think of the expression 'gathering Momentum').

The object would relate variably to distance therefore there would be a flexi distance available for use. Any moments included would necessarily involve memory.

As mentioned, imitating lack of movement requires volume adjustment and this could be managed in a similar way to the 'swelling' involved in the sense of abundance.

One can realign an object to the paradox of effort and still stand, make it independent of it, then alter its speed of movement within a straight Line concept of connection between the two extremes to relate the spaceship/object to. The two degree reduction in body temperature of the space travellers is relevant here to.

The Death Wish and Entropy

An interesting point regarding the death wish that many people have is that the universe 'desires' entropy.  It makes a permanent effort to reach a static state of death by entropy.

This could explain why humans gear their life to death and also have a certain death wish.

There is also a paradox here as effort is produced and used in an attempt to attain the still stand and effort is the key to movement and works against entropy. This is the basic paradox and contradiction within the universe of which humans are an integral part.

Reality,Time and Language

Parting sections of reality is the result of the brain breaking down the geometrical relationship within the 'picture' concerned and rearranging it into a future Time dependent construct.  This is possibly done by the relation in the brain between perception and language construction.  When expressing language in thought or word we are drawing on the whole memory with regard to the thing itself and with regard to our own associative language capacity.

More on Time Relevances Indicated in sets of Three Strokes

The sets of three strokes mentioned in previous post are prone to forming a circle after four or five sets have been delineated and this is a clue to the aspect shown in my work of one part of the parallels I try to depict which accompany the ship during its journey having an aspect of permanently falling away and revolving backwards in a reality consuming circle almost to where it started.

The two lines of the parallels, however, are linked as they inform joint reality moments with each having a different angle of approach at these mutually associated Time sequences.

Developing Time Dots

In developing a Time Dot sets of three strokes upon a straight line are used to relate a compacted Time quantity.  They mainly illustrate the relative density of a certain colour.

The strokes consist of two longer strokes with a smaller one in the middle.  They are a triennial system and extend beyond a digital nature to encompass feinstofflichen aspects, especially emotionally dependent densities.  In such a Time dot depiction Time and Light interplay and a factor of two related time elements which can be unevenly expanded are controlled by the speed of Light and the age of the observer.The number of the sets of the three strokes is relevant as they eventually indicate a circle.  They also relate to triangles and evenly divided circles (see work).

Defining Epochs Technologically

When designing a technological interpretation of an Epoch, which would enable it to be shown in an oblong the joining nodes or cusps of the of the angular relationships of the circumstances within an Epoch have to be prepared for computerised representation.  As this would necessarily involve Light and Colour I feel a five alternative computer system, as I have put forward in my work, would be necessary.  Also to achieve such a goal the information would probably have to include the differing Time, density and Raum perimeters of the astral and alpha states.The perimeters can most probably be obtained by viewing and analysing the human body with regard to its geometrical structure and make up.  All necessary information  is contained within this geometrical structure and it is in compounded form.  I might add that when viewing this structure within an ill person one can try to redirect angles in order to heal them.

A less dense body draws the colour and Light information into it possibly through an abundance and compassionate approach to circumstances.  This causes a natural expansion and integration phenomenon.

With regard to the last point there is also an association here to volume and to expanding the individual omnipresence onto a projected overall omnipresence.

Memory and Music within the Universe

if there is memory registered within water and the human body is composed of something like 72% water, this could interact with the coding in Light  to bring about a primal music through the all encompassing geometrical structure of the body.
I have tried to illustrate this primal music factor in my bio-units (see work).

The strings of numbers and the letters in my bio-units could possibly control the undulations within the universe and overcome the primal sound factor which creates distance.

More on the Angle of Approach

The very angle of approach as mentioned in recent posts animates the contents of the oblong due possibly to the minute electrical impulses in the brain connected to perception, and approach releases the staticity of the frame (work).  The frame (work) could also possibly be transported.

Epochs and their Substance

An Epoch can be contained physically? (imaged), descriptively and hypothetically within an oblong Reality Frame (see early work).  It is related to the Time Dot mentioned in the post 'Squares, Oblongs, the Universe and Circles' of the 10th  May.  According to its parameters, ie, its Time period and the geometrical relation, connection and evolution of the objects contained in it, it relates to its allotted parallelogram depicted on my world map.

Relating large areas and portions of Time with the evolution of the substance contained in them to the present geometrical  arrangement in say one's living room adds substance to aspects and portions of the Whole and thus to the Whole Memory which is extant.

The parallelograms associated to the oblong (this follows a carefully set order)cause a deviation from the depicted geometrically linked and static contents of the oblong.  This is due to the slant which can be seen as the Angle of Approach (see work). The angles of approach always differ as they change according to time of operation.  Also as they are connected to the parallelograms they differ according to their positioning with regard to the curvature of the Earth.

The Angle of Approach is also a subject needed when considering visual scope relays (see blog) and when considering the function of triangular movement of the ship, as in my work on developing effective spaceflight.

The Angle of Approach is thus applicable to the parallelograms on my world map as people(s) often see things 'from a different angle' and my work indicates generally the need for including human attributes when planning effective spaceflight. The Angle of Approach which can interact with a past or present attitude linked to a set of circumstances is instrumental in indicating the next spot for departure on the base line of the triangle as mentioned in blog.

The Angle of Approach is a deviation from the original oblong but it activates the reality within the oblong due to the factor of it being viewed, ie, perceived and thus a human attachment is established. This brings change related to Time in the Reality Frame and these could be adjusted to suit the distance required.

Varying Gravitational Frequencies with Reference to Mass within Various Dimensions

My gravity scale ranges from one to seventy, my Light scale from one to ten (see blog) As measurement on my gravity scale weakens the measurement on my light scale increases.This leads to calculating Mass and its related (word) colour.

The above rules also include the alpha and astral states and possibly the after life states.These have differing relationships on the scales than our four dimensional experiencing and these relationships can best be defined with a five alternative computer system (somewhat under "Maybe") see blog.

More on Angles and Time and Raum Sequencing

Perhaps if the Angle sizes and the various line lengths, as mentioned in my work, are put in a pool and can be assembled to depict/create any reality, then grabbing an area within the Universe and matching it with yesterday would possibly enable us to find ourselves there in no Time.

Squares, Oblongs, the Universe and Circles

In many senses, considering the overall geometrical curving within the Universe and the warping caused through the large gravitational fields, the curving within a diametrically cut circle ie in this case with three radii could contain information on overcoming large distances, which would otherwise be treated as purely lineal.

Transferring squares into circles and vice versa through the medium of sight (see visual scope) and triangular understanding concerning non linear increase, would mean linear distance is contained and possibly condensed into a circular base which employs the natural curvature which exists within the whole Universe making it have an almost repetitive function.

Seeing the whole as it presents itself in the circle instead of a separate and diffuse aim at the unseen end of a linearly based approach means that with the use of visual scope relays the angles of the square and triangle mentioned along with their associated lines linking the angles can be repositioned almost endlessly according to the Angle of Approach. All the above is dependent on the nub at the centre of the circle which automatically associates to cosmic functioning and can be termed a Time Dot.

The Individual omnipresence Factor

The Individual omnipresence factor for the person's own reality (see blog) can possibly be projected onto the general omnipresence factor using the function in the brain with which an all powerful creator or being is imaged.

The Angle of Approach (see work) would be needed here and by management and changing of the Angle of Approach the sub-omnipresence could weave its way to the desired destination. The higher self spoken of by co-creators or the branches on the vine' that Jesus describes his followers as could be useful here.

The above details, coupled with  harnessing the brain impulses in the power of projection may enable almost instantaneous access to any area within the Universe.

Circumventing hazards during such a journey may also include the different Time, distance and density parameters of the Alpha and Astral states as well as the differing factors in the after life, the latter could also be crucial when designing the many lives aspect involved in space travel mentioned in my work.

Reality Engaging Words

The formulation of a word in the brain which stems from urge and before the written or oral expression has occurred engages a minute electrical charge and also a minute chemical indication and interaction.  However, both of these tiny energetic forces can have a monumental effect on circumstances all of which can have massive Time, happenings and material content.

Perhaps understanding this process when designing space travel could lead to overcoming the great distances and hindrances that exist within the Universe.

Word and Sound Organisation Relating to the Universe

The organization within the Universe is possibly conducted through word formulation out of the availability of sound. It has a reality animating effect  and the Angle of Approach as used in my work, which leads to the multiplicity within the Universe is colour driven.

All of the above factors  can perhaps be contained and described using my Light numerals and scale and then indicated and applied by using my 36er system as there are possibly 36 basic factors from which reality within the Universe is built.

My Semi-diagrammatical 36er System With Regard to Epochs

Any Diagrammatical symbol of my 36er System can be the language linked abbreviation of an Epoch. This occurs as any of the semi-diagrammatical symbols can be used in calculating and possibly to represent Distance. As mentioned frequently in my work, covering great distances effectively involves Epochs, and I feel that a suitable Distance-Time-Raum Unit which depends on Light and Colour is required. I feel also that such a unit must have a certain duality. It should relate mainly to the expansion rate of the universe and to the resulting quantity of Raum being introduced into the universe due to the said expansion. Once this is calculated then the miniaturising and diminuation potential within the Distance-Time-Raum unit (D-T-R unit), which is related to gravity, can facilitate the operation of going backwards towards the Big Bang.

The calculations of what would be required by the D-T-R unit would be signified within the technological mechanics in the initial one cm (see blog) of my 36er System, while the structure could be supplied by using the remaining symbolic-digits.Their physical relation to the outlay of one cm facilities the necessary Time and numeracy calculations needed.

When elaborating on the make-up of the D-T-R unit I would point out that the physical contents of an Epoch are geometrically linked and position Is Time and emotion related, the latter being very well illustrated within the art of Feng Shui.

The rate of value that the symbol chosen from my 36er system has depends on how near the desired destination is.

More on Information Belts Encircling the Earth

See post 'the 2 Encircling the Earth' of 2013.

Details on the 2 encircling the Earth relate to the 6" Film of information covering the Earth's surface which is mentioned in my work. There is a connection between 2, ie the original balanced duality and six, the maximum multiplication of the duality.

The 6" Information Film, as mentioned, relates Earth's statistics to the remaining universe and vice versa. It also acts as a defence and universal integration factor.

Also, I would add, regarding my post: 'more on the Life Span and Immortality Aspect of Space Travel', that the 6" cushion helps contact the universal knowledge contained within the universe generally.

The 6" Information cushion is also yet another useful thing to meditate upon and draw energy and insight from during a daunting space journey, when one is applying the Life Span and Immortality aspects as described in my work.

Whole Memory, Water and Light

The Whole-Memory that some people are experiencing is possibly a result of the water content of the body, which I believe is about seventy-two percent in an adult.

Water can change its molecular structure according to our thoughts, or due to sound patterns and also through our prayers. When it is linked to the Coding in Light, it then possibly has a memory of all events that have occurred throughout history and throughout the evolutionary process.

Water then lends the Whole-Memory to our cellular basis, and this imprints or links the said memory function on and to our genes. It does so on the basis of response, ie, our emotional intelligence and feelings reacting and responding to the items of memory being played out and then integrating them into our genetical delineation of who we are.

The above could be useful when considering the Individual Omnipresence Factor frequently mentioned in my work as it relates the individual to the All.

Time and Compounding Circumstance

It seems that Time, physicality, material content and Circumstance generally is compounded by a sound based related reaction and gains actuality by the on-going, actual and linked faculty in Light (see work).

All of these factors are part of a sheet of permanence enacted according to the General Light Sheet, (see recent post),

The General Light Sheet covers all Time Projections and is imminent.

The Geometrical Depth Factor

The Depth Factor mentioned as the Sixty Dimension in earlier work is partially described by the Time and Raum Factor of the past and present, which is involved in the magnificent, successively layered geometrical Web surrounding the Earth, (see recent post: The Foregone Time in Triangular Manouvering and Epoch).

This beautiful geometrical Web shows how things could be within our World and within its inhabitants. It is a God/Goddess calling us into abundance, beauty and fecundity.

Utterance and Resonance Related to Compounding Reality/Area for Spacetravel

The Sound of an utterance hits the brain and it is possibly the resonance this creates which forms the related reality. This gives every aspect of existence an immediacy (potential). It also gives different relevance to each single Moment, as each one could be used to hold a whole Frame, (see work).

In this way we can see how human physiology and the minute electrical impulses functioning within the human brain could perhaps be used in space flight, when having to overcome great distances. The subject of Individual Omnipresence for One's own Reality is relevant here.

With regard to the above there is a permanent actuality and presence aligned to any Time past and present. and once the Emotion of intention is added, such could possibly involve the future as well. The Divine Gap, as described in my work, is the safeguard here.

Compounding Time, speed and Distance Factors

One of the factors involved in time and Distance regulation could be shown as two concurrent vertical Lines which are positioned parallel to each other. One of the parallel Lines is moving upwards and the other downwards.

Each Line has seemingly randomly placed  points on it and these points on each Line  relate to points on the other Line. This factor enables them to co-ordinate and to continually adjust each other's rate of speed.

The speeds indicated by the Lines relate to distance and further, with the help of my semi-diagrammatical thirty-six system (or something similar), they relate to the material content associated to the area covered by the massive distances involved within the stages depicted along the left Line.

The physical and spatial circumstances involved in the area(s) covering the great distances is compounded into a Time Dot, (see work). This is similar to the compounding of the material content and spatial circumstance within an utterance.
The physical Time comparison and ratio could be related to the duration of the utterance. This would automatically involve distance.

Considerations when Planning Spacetravel

As mentioned in the previous post and in earlier work, humans are very dependent on the influence of the planets within our Solar System.

I feel this is very important when considering a space journey outside of our Solar System.

In many ways we are even composed of these planetary influences. The planets effect this mostly with the colours and sounds they emit.

We possibly even knit our futures due to these influences and our experiencing generally, both individually and communally, is often due to their positioning and their transition Mechanisms

We can see this in past belief systems. The Ancient Greeks invariably didn't have a word for 'will'. They maintained instead that a person acted because a deity had influenced them to do so.  We can see this that when the battle of Troy was raging, Aeneis' mother said to Helen; "Aphrodite got hold of your heart."

It is no coincidence that the succeeding Roman culture transferred the imaging of the Gods to the individual planets. Also that America thrived under Reagan, who regularly consulted an astrologer.

The Light Factor and Managing our solar system dependency

The approach taken to Light within my work indicates a method which can possibly be applied to enabling a transfer of the effect of the planetary mechanisms within our solar system to other areas in space, thus having a cohesive effect on any spacetraveler once he leaves the region containing our solar system.

For, as mentioned in earlier work, humans are very dependent on these energies.

Light and Staticity for Time and Distance regulation

Emanations of Light, in particular from Solar Objects, are related to an original Light Factor. This gives Light a staticity potential. Both of these factors are consistent factors of the ever present Light Sheet.

Perhaps two of the three aspects of Light mentioned above, ie The Original Light Factor and the solar emanations, are crudely depicted by my work on two lines of a concurrent parallel nature which, however, differ greatly as to the speeds they are indicating.

More on Perceived Action and Use of Language in Designing Spacetravel and Beaming

As mentioned in recent posts it is the perceived action taking place within the brain associated to the planning of a space flight which links the speed and physical Time  aspects to areas of verbal expression within the brain. The latter links to motor behaviour which is initially non verbal or structured.

The above aspects could be helpful when developing Beaming. And, as mentioned in very early posts such a conceptual practice of the word 'relinquishment' would perhaps be helpful.

Perhaps these two interacting fields in the brain could act as an extension of the interaction between the two? Parts of the motorcortex in the brain.

Physical Time is the units of Time which can be adjusted in length according to a statement. Physical Time is associated to volume and colour (see blog) and the sensation of abundance.

Here we see an association to physicality which would be concurrently maintained.

The above is linked to my work on triangles which covers selecting a reality for the next part of a journey as each square is transcended. The latter has to be done with great precision considering the Time and Distance factors involved.

Light, Circumstance and Distance

Each mile within the 2,300 Trillion miles squared is allotted a relevance to a set of digits within the whole range of digit symbols of my 36er system. The digits are then related to the circumstances contained within a square - the square being representative of a mile.

The Circumstances can be illustrated by Light variations. The Light variations can indicate the energy variances within a circumstance and also indicate distance. The Light variations, could possibly also indicate compounded distance relative to the miles, due to the Coding in the Light.

The Coding in Light arises out of the permanent presence of the Light sheet with its on-going creative immediacy ie reality and the sheet's almost static relation to the speed of Light. It is, therefore impounded with significant information and a certain duality, ie photon meets photon.

One can perhaps use this potential within Light by adjusting it to Time Quants.

Utilizing State Energy

The Circumstance or 'State' Energy employed within the equivalent of briskly walking one mile as is involved in my beaming concept (see work), Could perhaps be channelled through the means of the human brain and then converted to an energy framework needed for the five alternative computer technology I have often mentioned. There is somehow in this way an energy involved in distance which may also involve perception and colour.

I feel such a five alternative computer system, as often described in my work and blog is necessary if we are to evolve successfully into cosmic beings, as extra terrestrial systems will probably then be compatible with ours and successful intercommunication can take place.
A five alternative computer system is also necessary if we are going to cope with the enormous complexity of the Universe.

The above also involves the Coding in Light as Light has an imprint of All, having 'evolved' from the very beginning. Light elucidates possibly through the means of hydrogen, ie another very early component of the Universe.

Light also acts as a continuum within the immediacy of its creative outcome. This too is relevant to my beaming concept which involves a different relation of distance to Time. In this way I feel Light can be reduced to an aspect of near overall staticity. This would be very pronounced in the individual omnipresence factor, when it is accessing the general omnipresence factor.

With regard to using Light for the above a 2,400 million year Containment is one grade ten (maximum) Light pulse. A pulse lasts three seconds. The three seconds has to be converted to my Clock system. (see blog). Once converted to my Time system, it relates to my 36er system. See my work on circumstance and oral Containment.

More on the 36er System and the 73 Year Life Span Aspect During Spacetravel

Each mile within the mentioned 2,300 trillion miles squared is allotted a relevance to a set of digits within the whole range of digits of my 36er system. It is allotted the digits according to the age of the person doing the calculation and the years are automatically relevant to the area and thus circumstance(s) covered by the relevant square once it has been associated to its part of the Distance of the 2,300 trillion miles squared. I hope to explain later how this is done automatically.

The above can be transferred to the 73 Year Life span mentioned of a model spacetraveller as it then has an abstract significance and an emotion free order.

Destination Boxes and Space Flight

I have tried to outline, designing a Space flight to Arieles (Pleiardees)? In 2012, and have hopefully indicated accurately how to use the 1st and 2nd and 4th Destination Box. There is also relevant information on this in two very recent posts. (see 'more on destination boxes).

Other journies including, and perhaps more importantly, Journeys from other planets to another planet can be planned  by relating them to the above criteria and to some of the related factors mentioned in my work.

The criteria described here indicate an inherent order within the Universe from which a grid can be drawn up when. Planning space flights and which allows for such things as planet shifting, etc, yet retains the Divine order.

More on Destination Boxes

It is important to consider the other four functions with regard to the five functions mentioned previously as these are interlinked with the choice of distance box.

This is seen in the four functions knitting in with the differing information contained within the Distance Boxes such as gravity, density, Time, Time-volume, virtual vacuum, sound and Light variances and how these factors relate to the borders of the universe, it's rate of expansion and Raum Management.

Previous Post as Relevant Base

In reference to previous post, when planning further flights from any other position in the universe, the Guage of 2,300 trillion miles squared and the said 2 pm is a relevant base.

However, the choice of distance box out of the six indicated would help supply the different criteria involved in designing the varying journies required.

More on Distance Boxes

The Distance of 2,300 trillion miles squared is viewed as the Distance to the Distance Boxes from Earth. (I started outlining the function of the Distance Boxes in my work of about December 2012.

The Distance of 2,300 trillion miles squared involves the Time units involved in 2pm in Deal, Kent.

The above two criteria are a whole function out of a set of one to five functions needed when planning a space flight.

Perceived Action and Time Relation for Spacetravel

It is the perceived action taking place within the brain associated to the planning of a space flight which links the speed, the material and Time aspects mentioned in recent work on triangles and pre-evolved realities.  These in turn are linked to verbal expression areas within the brain. (a reliable scale can be drawn up here). Verbal expression in turn is linked to the ordering and on-going immediacy of creation - thus to my ideas on the dual nature of and potential use of omnipresence (see blog).  Once again a scale can be drawn up here, especially one with Light as one of its fundamental aspects.

Distance Boxes and Fictional Journeying

The basis of a standard scale for reaching Box 1 of my Distance Boxes (see work) would be five light years in three seconds.

The parameters of the scale are dependent on the further activities required after having reached the area of the 'box' especially the statistics on the expansion rate of the universe, which I have outlined. The parameters of the conditions such as gravity and Time-volume, etc., which are in and which surround the box at the Time of the already reached destination also play a part in constructing the necessary scale.
Although these, of course would be somewhat hypothetical or at least conditional.

The destination is flexible within the Distance given in the posts and work regarding the Distance Boxes.

The 'already reached' approach makes use of the thought and imaging factors involved in planning something to whatever degree of complexity that planning involved, and having therefore fictionally already reached the destination.

When coupled with the individual omnipresence factor we have here a very valuable tool.

In this case matching the Time taken since starting to plan the journey and up until the Time and date of departure to the Distance and parts of the Time Flow needed to complete the journey can play it's part in facilitating a successful journey.

The Foregone Time in Triangular Manouvering and Epochs

The Foregone Time mentioned in post Geometrical Time'  draws on Epochs (see recent posts) by using the integrating link between the geometrical pattern around the earth at the present Moment and the geometrical patterns of the past. This process is facilitated by sound as the patterns are ultimately linked by language.

They are linked at power nodes at apexes on the network and have a depth involvement. This depth involvement indicates the crucial connection between partial spheres and straight lines.

(there is a link here to colour and volume).

Geometrical Time

It is the foregone Time which draws on the Epochs (see recent posts).  The foregone Time is the time involved in the development of the triangle and the New Time involved in the peak of the triangle returning to minimally behind the base line of its origin.

The New Time almost covers the Time taken by the triangle to evolve and is itself now in the past and almost cancels itself out. However, it is also a future projection -  a projection which can take and use any of the offered secondary realities which will manifest as the new peak emerges to guide the ship on its journey.

The returning peak has also minimally changed direction having chosen one of the various 'routes' once it became a peak and almost returned to its point and line of origin.  This is reflected in it's new 'point ' of destination being fractionally different from its original point of origin on the base line of its origin.

The new point of origin on the new base line which is preparing the next pyramid formation is always positioned slightly to the right of the old point of origin. This fractional shift to the right eliminates the secondary reality previously constructed. It possibly amounts to one count of minimum density which is indicated by or valued at one of my smallest Time units ie 1/12,026 of 360 degrees.

(1/12,026 of 360 degrees is also one 'angle of approach', (see blog)).

For details of my attempt to define minimum density see blog. It maybe the minimum known amount of molecules per 2km squared. The representation of this ratio can be described by two dimensional squares which follow a scale of varying sizes, the smallest being one foot square. These squares can also be the faces of cubes or the faces of more complex multidimensional constructions.

Resonance, Reality and volume

The properties needed to create a circumstance are roaming freely within Volume and these begin to form a circumstance when they resonate with the regulating parameters of Inflation. (see recent posts).

The Expansion Rate of the Universe, Volume and Time Management

When trying to understand the Universe better with regard to developing spacetravel in the manner depicted in my work, the expansion rate of the universe is one of the first parameters to be taken into consideration.

Volume is a malleable medium (see blog), which reacts to the incoming area and it's selective areas are directly proportional to the expansion rate of the universe.

In this respect the information contained in the colours which represent and initiate  abundance could be used to swell volume when one is trying to discard Time

More on potential Aiding and Initiating Reality

When Potential is added to Density it develops an infinite property, as the more density it releases into reality the more density it can produce.

It is of 'infinite potential'. Potential consumes yet also produces Time. It also instructs and guides Time.

I feel that at the other side of the borders of the universe there is an invisible density factor, a fictional density, an equation of maximum Density, which can pour through the fractal edges of the universe (see early posts) and can listen to those patterns as it forms wholeness.

This process continues as the properties existing throughout Volume combine and balance as they share in the making of the Universe and everything there is.

The Potential, Density, Colour and Inflation Relation

Potential is the primal factor. It acts by working with density as it flows into the creative Word-sound facility which proceeds to develop circumstances. It does so by the use of colour interacting with the instructing and regulating presence of the Inflation Factor.

The co-operation of colour is needed here. Colour, with its soft hues moderates and placates the directness of the Potential and Inflation factors.  It is married and intertwined to the circumstances as they form.

One can see here the potential of things like my ideas on Omnipresence (see blog), when one considers that colour is thought of by some to be purely a phenomenon of human perception or descriptiveness.

More on Time Management with Regard to my Clock System

The fact that my clock works on a twelve hour basis which I have translated into divisions of thirty-six, each with thirty-six sub divisions means that each round of twelve hours is an individual part of 360 degrees - the 360 degrees I have translated to mean twenty-four hours.

As each set of twelve hour related 36s has gaps between their sister twelve hours which concludes a day, ie a twenty-four, ie 360 degree passage of Time, they can part from each other, be timesed by two (not multiplied by two) for as long as necessary and can part Time lots from each other.

This is useful for use in calling up a certain Time of Day in order to facilitate Beaming, ie, so that two areas can be co-ordinated according to the dictates of the sun, (see work). It is also one step in allotting Epochs their Moments when using past Time and possibly past circumstances to enable overcoming vast distances in very small amounts of Time. (see recent posts).

My Time system also links the foregone information, as stated, to the information on the glynworld World Map regarding Word, colour and other aspects mentioned in work, which synchronize the world with outer space.

Also by using slightly changing angles of approach, (see blog), which can help shuffle Moments and which are also important aspects of Visual Scope (relays), the Time consumed can be duplicated over and over again by using the paradox of multiplying two divided but related amounts by two (in this case Time).

The Three Second Bridge

(see post 29.12.2015, More on Past Time Utilization for Space Travel)

The three second Time Collective, also termed a three second bridge, as mentioned in recent work should be translated into my smallest Time units, then related to a complete set of one to thirty-six of my 36er system (see early posts).

Each tiny fraction of the three seconds should be given a symbol from my alphabet (see early posts) and then be given a ratio to substance using nanometers and hydrogen, or their substitutes.

This should then be programmed in a way that it can be installed into and used by my initial one centimeter (see blog) of my 36er system. I feel my/a five alternative computer programming technology is necessary here (see blog).