Concerning Body Temperature and Light with Regard to Spaceflight

The reduction in body temperature of 2 degrees centigrade (see blog) enables the astronaut's  composition to adjust to the Light speed and abundance factors existing during my ideas on spaceflight (my daughter tells me one would be dead then, but I am writing it as it is given). These factors enable the geometrical structure of the astronaut to interact with Light and code it with regard to the information needed to help conduct the flight. ( see here work on semi-repeated triangular Flight tracks).

In order to calculate the above perhaps a square graph with two aspects would be required with fixed and evenly spaced points of reference along the upper line of the square and along the right side and diffuse more random guages along the lower and left side of the square. This would enhance factors such as the points on the compass ie N.S.E. and West with their Time and Light dictates. The diffuse gauge on the left and bottom part of the graph would most probably be colour, shade and hue references.

More on Light and the Entropy Factor

The Light mentioned in the first paragraph of the post: The use of the Entropy Factor when Designing Spaceflight,  of October 2016, is subject to the Light Grades mentioned in my work.

It is important when defining these grades of Light to have colour definitions integrated into them, similar to the definitions within the electro magnetic scale.

Light and the Behaviour of Cosmic Bodies

The Light Quantity extends to the body (I am thinking here of cosmic bodies) and then it interacts with the properties of that body's mass or content. It interacts especially with the factor of mass.

This interaction creates the behaviour of the body. In order to control such a situation one has to consider creating temperature variances - usually a reduction of the temperature of about two degrees centigrade. Temperature interacts subtlely with  Light and this allows for very slight but powerful colour inferences to be programmed into it which could possibly lead to enabling the changing of a planet's position.

More Detailed Use of the 36er Mathematical System

The circle within the square depicting the 36 of my 36er mathematical system contains within it, in angle form, the design of what should happen. The angles and angle arms are a result of angles of approach and their physical and abstract results ie  the circumstances that evolve.  Think here of the word 'circumstance', it is an encircled stance - a stance being someone's attitude/approach towards something ie towards a circumstance.

This leads to the manifold complexity and mutual interconnectedness of reality; past, present and future and converts them to One inherent flat geometrical plane. (We have to be careful here that no intruder can initiate something like a domino effect once we understand this Oneness).

The programmed Initial One Centimetre of the 36er system (see blog) defines the amount and gives the values the amounts have when related to a solid or physical One Centimeter. The computerised proportions it relates are indicated within the remaining 35 characters of the 36er system.

As the angle arms within the circle (see above) vary in direction according to time, attitude, Time-phase of Day, Epoch and position (see work), the use of the amounts indicated by the Initial One Centimetre vary.

The factors mentioned above also indicate how the realities of the semi-repetitive triangular movement, which can overcome vast quantities of Time and Raum can be brought into existence (see recent work and blog).

The Use of Effort and the Entropy Factor when Designing Spaceflight

The Time Line between the effort for Entropy and the still stand itself is a channel of Time which has imagination and known fixed end result attached to it. The very nature of the quest requires action,  thus making it unattainable.

It illustrates a period of work or kinetic exchange. It is therefore part of the Life Factor and is possibly part of the many Life Spans mechanism (see work) involved when designing space travel.

The Relevance of (my) syllables and Symbols

The Syllables depicted in my early work and which are associated to my numbers and to the symbols I have indicated represent an amount of time. Time related to an utterance.

The symbols show the pattern formed in the brain when using their associated utterance, but these formulations also indicate activities within the Universe. Thus when identifying cosmic activities they are also indicative of positions within the Universe. Here we have a link between the human brain and cosmic areas, circumstances and Time.

Each syllable is a compound of twin elements - two elements ranging from the diffuse in definition to two acutely accurate amounts of Time. The latter can also be expressed in angular form. This indicates the potential for two elements to create activity, diversity and harmonised discrepancies such as Time and Raum differences.

The Use of the Entropy Factor when Designing Spaceflight

We can use the entropy factor when designing spaceflight as we can pour moments into one moment if we can imitate lack of movement.  To a certain extent this is possible within objects moving at very high speeds as they are accompanied by Light which permanently veers away as It adjusts to the object and makes room for it, ie reorganises Raum, Volume and Time in connection with the high speed object.

Using the function of entropy as it engages with these last factors, one can control the length of the Moment by making it have a depth wise sequence/nature at a north to west angle of 145 degrees, which is my description of the Sixty Dimension involved in earlier work.  One can see here the connection between the human element and the nature of the Universe as according to the depth of a person's nature a circumstance has an associated gravity as it lingers and can dominate their Gefuehlswelt for a longer time than in someone who is light hearted and brushes things off.  The Moment of the circumstance lingers in their feelings, mind and Memory for longer. (Think of the expression 'gathering Momentum').

The object would relate variably to distance therefore there would be a flexi distance available for use. Any moments included would necessarily involve memory.

As mentioned, imitating lack of movement requires volume adjustment and this could be managed in a similar way to the 'swelling' involved in the sense of abundance.

One can realign an object to the paradox of effort and still stand, make it independent of it, then alter its speed of movement within a straight Line concept of connection between the two extremes to relate the spaceship/object to. The two degree reduction in body temperature of the space travellers is relevant here to.