Sound Aiding Spacetravel

I wonder if sound could aid reaping electricity from hydrogen and oxygen and perhaps make the process less complex. I am thinking here of sound vibrations.

Reaping energy from sound could possibly be useful for Spacetravel as we need something that automatically reloads. Perhaps for this purpose we can harness the sound permeating the universe resulting from the big bang.

If our daily lives became quieter generally we could perhaps use sound for effecting a lot of things concerning physics.

Sound is also one aspect that links humans to their involvement in their surrounding reality and thus one could use sound for some of the aspects mentioned in my work, especially regarding my ideas on using the minute electrical impulses in thoughts which can effect the development of massive tonnages and actions involved in physical reality. The latter would possibly also involve colour. See my work on emotional-colour counts.

Sound involved in the energy production needed for Spacetravel as mentioned above and it's relevance as a link between  thoughts and physical reality could be highly relevant regarding my new Time to Distance ratios, which involve reality guzzling, semi-fictional reality development and perception and of course marrying myth to fact, (see work).
These factors involve the need for concurrent streaming between the very large and the very small.

I feel such a use of sound would involve mastering volume.

Parallel Lines and my 36er System

With regard to the spiralling or circling behavior of the right parallel flight line (see work/blog) one can simultaneously regard it as a straight line and this potential can be calculated using my 36er system.

My 36er system enables a two directional calculating function which basically involves calculating from left to right and from right to left, with one direction, ie left to right being connected to perception. Perception in my work is connected to both the physical and psychological aspects of an angle of approach and with regard to this perception can have a fictional content, which is only real to the perceiver. However, often a physical reality evolves from what s/he perceives.

The above factors are also relevant when constructing Visual Scope relays.

In order to technically describe the right Parallel Line as straight, the Angle of Approach is focused on a tiny fraction of the circle/spiral. This enables a break-up of the Time Flow and enables a magnifying of volume which can envelope great areas of the magnitude, but all of which has to be carefully calculated.

The volume indicates the area of the magnitude used in a geometrical patterning involving straight lines at varying angles and Nubs (see recent work). Here there is possibly a relation to my work on circles attached to slanting straight lines and which are randomly placed. These factors are related to the Divine Gap mentioned in earlier work.

Parallel Lines, Staticity and Light

The parallel lines mentioned in my work consist of energy streams gained from the astronauts themselves ie their involvement in the whole geometrical reality pattern (see work), and from the sound the workings of their bodies make. This energy I call the x1, x2 and x3 energy.

The actual impetus/fuel for the Flight is possibly that of sound, basically the sound permeating the universe and the sound emanating from within the ship. This possibly interacts with the astronauts' whole memory which would facilitate the utilisation of Time by the parallel energy streams as described in my work.

Such could also possibly enable a state of virtual staticity to take place, which would lead in part to creating the many lives aspect mentioned in my work.

This Staticity also relates to the minimum    Light on my Light scale which exists at the beginning of each of the Moments present on the circumference of the circles/spirals formed by the right parallel energy stream. The Light then gains impetus as each of the lineal circumstances develops/unwinds.

With regard to the last paragraph considering the speed of Light, also the bending of Light and the angle of approach, ie 'looking at it in a different light' would perhaps be important.

Volume and Distance Boxes

Volume has to be considered in the way I have described in my work when designing the Flight to Arieles.

The statistics I have given on volume and these used within the details concerning the Distance Boxes could possibly be helpful when designing the Flight.

Gaining Energy From Patterns of Circumstances

One would gain the energy needed for the flight from within Time Patterns (see article of 9.6.2018) by extending the potential contained within any circumstance's interconnectedness, with regard to related circumstances, ie those entailed in it's creation.

One could, at least hypothetically, view the circumstances as Time within its relation to position and to colour as being converted into matter - a situation which would possibly eliminate Time.

Also the kinetic energy involved in an Object's placement as it has been transferred from position to position could be used once one can enter the Time pockets of such placements

The Significance of Nubs and Resulting Angle Arms

The gradient and angle of the Lines which emanate from the nubs (see work and blog) are a gravitational reaction to the content of the nubs. with regard to this one can possibly develop a human related cosmology. Such a cosmology would enable such things as healing; the use of the dual omnipresence factors and other psychological factors mentioned in my work, such as Time anomalies on experiencing shock and subjective and objective perception mechanisms.

Also terms such as 'the Angle of approach' and the 'gravity of the situation' take on a broadened material (Festkörper) related significance (see work). Gravity is, therefore, related  to a thing ' gathering momentum', with a line gathering a gravity count as it progresses and consisting of the randomly placed image granules mentioned in my work. This latter point is possibly also useful when considering my work on Flight Triangles.

When seeing the Lines as above as part of a Time drawn geometrical pattern of interrelation the observer becomes included within its assessment of the objects and Circumstances.

The resulting effect of the above connects Time and furtherance and possibly makes them changeable and thus useful for Spacetravel (see work) ie making covering great distances in greatly abbreviated Time possible.

Position as a Time specifier

We can define reality segments, occasions and Circumstances  which would otherwise require complex mathematical formulas by two digit numbers.

I call the mainly two digit numbers described in my work reality or gravity buds and they are released by the urge Initiating an oral statement.  The numbers  can be illustrated and perhaps utilized by my 36er system which, among other things gives new impetus to the rules of lines relating to a curve or a circle and thus possibly denote an origin.

These three factors ie numbers, lines and Circles are in end effect compatible as the universe was spoken into existence and it's geometrically designed, seemingly lineal nature is constantly relating and contained within an overall curved state.

The escape, relief and furtherance factors are possibly calculated from the nubs within this structure which are at the apex of each triangle involved in the structure. The nubs denote the position of something and their Substance can possibly be denoted by my two digit numbers (see above). The arms leading from the nubs, both with regard to length and gradient, are the reaction to these nubs in the form of a structural illustration.

The above factors could possibly be useful when designing space flight in the fashion mentioned in my work, especially with regard to the need for vastly abbreviated Time in relation to distance and my observation that position is a Time specifier.