Swelling and the Expansion Rate of the Universe

The two degrees of swelling mentioned in an article dated 4.12.2019, which is as yet not posted, relates to the two degrees centigrade temperature reduction mentioned occasionally in my work.

The swelling matches the all important factor of the expansion rate of the universe.  It should be expressed within oblong frames which, however, amount to ten squared Kilometres. The frames have computerised energy boundaries. A near staticity equation develops through the medium of volume and guided change in atomic behaviour, both of which can be utilised using the flexi ratioing described in my work of about early 2017 onwards (see below).

Once this is done the staticity function can be localised by applying the two degrees centigrade reduction in temperature.

The fexi ratioing and the two degrees of swelling can be indicated for initial calculation by the angle arms extending to any desired length from any focal point.

The focal point always denotes the Time of between 3:01pm to 3:15pm in Deal, Kent, England. This is a factor which also accommodates the swelling aspect.

Dots and Gaining Access to past Time Quantities

The contents of the dot as the instigator of a circumstance in compound form is such that it relates the emerging reality angularly to the emerging Raum, material accumulation,  gravity, Time, Time of day, volume and emotional colour content from six information guides emanating from underneath the dot.

Six is the dual Form of the essential three aspects of potential which weave out reality. Being in dual form, however, there is an all encompassing factor concerning the circumstance as it develops and as such it interlinks the dot's developing process to the whole all encompassing factor of the plate of existence depicted in very recent work.

The six as mentioned above also enables the factors in the circumstance to be subject to the ten year Time intervals applying to the nodes upon the plate of existence. Also being twice the three prongs of potential (see work), it is suggestive of an overall continuum with regard to individual associative attachment to items already within the plate, ie past factors,  and thus bringing about change and development.

Timing of such a continuum is dependant on how each of the woven elements connects to the general foundation of things, ie, to factors already existing on the plate, ie, its subjects of association.

Such a connection can be  of great evolutionary significance and such partly reveals how to gain access to the vast past Time areas, needed for my ideas on space travel, by studying position and  forming associations to such positions via automation and computer programmi g.

The above also enables individual Time Ablauf, hence also numerous interconnecting Time Abläufe,  as association after association is traced.
The Time Abläufe have their master of ceremonies at the centre of the universe,  ie, at the point of the Universal One Time, ie, the ball if white light at the peak  of the pyramid/triangle containing the two creation accounts in relating form (see very recent work).

Such simultaneously running  of Zeit Abläufe could be very useful in connection with the function of the left parallel flight line with its accumulation of parallels and yet its function of maintaining Earth Time sequencing.

Enlarging on the Capacity of my Number Six.

The circle depicting six in my 36er system has various relevances. As often mentioned it embodies potential,  the numeral six and the infinite.

However, upon reflection one realises that the six day creation account mentioned many times in my work is obviously associated to the six. Within this context it relates to the scientific creation account,  as being a circle, which is a continuum,  it relates to development, and thus to evolutionary processes as they occur throughout the magnitude (see work),which is often moon related, but also to evolutionary processes throughout the whole cosmos.

The Use of Concurrent Time Variances

Immanence, ie being repeatedly immediately present within each consecutively moment, relates to the many lives factor. Immanence is present minimally ahead of or behind the eternal second and understanding immanence and calculating using its properties can enable Time travel.

Both immanence and the eternal second could be relevant to my article of the 2.2.2019 titled 'the available.........' As they are both variants of the concept of Time with one of the concurrently running variants stating vastly abbreviated Time and the other variant stating real Time in motionless form.

Ratios and Developing Triangular Relationships

To further my comments in earlier work on the three pronged factors within my ratio setups, where the element on the 'right side' of the ratio has the potential to change and once changed to a higher or smaller amount, still relates to its original form/value ie as the present and the future are outcomes of the past, I would add that such could be seen as the foundation of a triangle, with each set of my two  digit numbers mentioned in my work being foundational elements of the ratioed amounts. Perhaps they could be seen as part of the relevance of each apex of a triangle. Here my work on triangles could be very relevant.

Also one can see here the relationship of two parents to a developing child. Mental and physical factors behind such a link could be related to my above comments on the relevance and use of my dual numbers especially when a combined multiple and simultaneous behavior or activity is being calculated, (see my earlier work depicting a four or five dimensional graph).

More Comments on Utilizing the Magnitude

The Magnitude is possibly a quality of related successive five second episodes, with each episode being the wahrgenommen furtherance of the perceiver's creative measures. The use for fuel of any part of the copy Magnitude,  which is linked to any certain individual, would also involve a quant of five seconds.

These five seconds possibly have at their base the five alternative computer system or at least their use is facilitated by such a system. The five seconds would dance back and forth between the five fundamental elements of the fiver computer technology, which I suggested could be 'yes, no, more, less, maybe.'

This technology would have a weaving effect which would possibly be related to my 36er system, as this involves connected sections of fives.

The reason a fraction taken from the copy or reflection of the Magnitude is also a quant of five seconds is that a fraction of it is much less dense than the same fraction when it remains within it. Added to this, there is the approach that we are all one and that we all relate within this one. Also there is the factor of the initial one centimeter used at the outset of most calculations within my 36er System.

The five seconds concerning the whole Magnitude may bear a relation to both cosmological Epochs as mentioned in my work and also to the ratio suggested in my work between the biblical and scientific approaches to creation.

I feel use of the above information would involve a process of evolution within a factor of perpetual repetition and as such would have to resonate with carefully designed sound impulses.

Using the potentially reality loaded associative five second Quants would possibly require a continual and self perpetuating averaging of the mass to Time involved, which could involve the medium of hydrogen. I feel the averaging of the mass to Time involved would involve emotional-colour mass with its related potential factors and would possibly follow the rules within Triangles (see work). Related to this would be physical mass and that mass related to position.

Perhaps standard mass counts within all phases of the evolution the universe might be drawn up. If the two creation approaches are intended to be a standard  Time ratio to each other, as I feel they are, then once a few initial relevant points of ratio between them had been established, the remaining uncoupled events contained within each approach would automatically align one with the other - perhaps through the blessing of computer programming.

The flow of energy reaped for use from the Magnitude, as described above, would possibly be effected by harnessing the mental power within the emotion of conflict. The emotion of conflict results in constant departure from self and relates to two Sources, one repeatedly deflecting the other. As one energy compound rejects the other there is an automatic furtherance which would be in flow form, as one aspect of the conflict attempts to settle in a now slightly evolved mental field but is rejected and moves (flows) on.

With regard to this factor, there is also a creative force involved in the emotion of conflict, ie one which when harnessed could magnify the power within the initial extraction from the Magnitude. The Magnitude already has its own creative base, and it is one with which all of creation, including our minds is irrevocably linked.

Mastering Volume and Sound Ratios

When mastering Volume as mentioned in  post 'Sound Aiding Spacetravel' I feel volume and sound must be dealt with as a varying and volatile set of ratios contained for calculating purposes within Oblongs.

One way to establish the correct ratios between volume and sound is to harmonise and develop their amounts within the Oblongs so that their values then fit evenly into squares or square assessments. Both elements of volume and sound, however,  should maintain their own identity throughout the above mentioned process.

One way to effect the above is to identify the properties of each as sets of dual numbers.

The above could perhaps also be one of the stages involved in the development and use of the five alternative computer system mentioned in earlier work.

Parallel Lines and my 36er System

With regard to the spiralling or circling behavior of the right parallel flight line (see work/blog) one can simultaneously regard it as a straight line and this potential can be calculated using my 36er system.

My 36er system enables a two directional calculating function which basically involves calculating from left to right and from right to left, with one direction, ie left to right being connected to perception. Perception in my work is connected to both the physical and psychological aspects of an angle of approach and with regard to this perception can have a fictional content, which is only real to the perceiver. However, often a physical reality evolves from what s/he perceives.

The above factors are also relevant when constructing Visual Scope relays.

In order to technically describe the right Parallel Line as straight, the Angle of Approach is focused on a tiny fraction of the circle/spiral. This enables a break-up of the Time Flow and enables a magnifying of volume which can envelope great areas of the magnitude, but all of which has to be carefully calculated.

The volume indicates the area of the magnitude used in a geometrical patterning involving straight lines at varying angles and Nubs (see recent work). Here there is possibly a relation to my work on circles attached to slanting straight lines and which are randomly placed. These factors are related to the Divine Gap mentioned in earlier work.

Position, Change and Colour Frequencies

One can change position and possibly shape using interpreted colour-energy. All aspects of the change relate to the surrounding external objects which, of course, each relate in Time and position to other objects and so on as the relationship spreads. However, it can be used selectively.

The function of Change can possibly help us view distance differently, ie as a Time and position related field which can be drawn in or extended selectively.

If it is extended, however, it follows a curved movement. Drawing it towards us can possibly be effected using visual scope (see blog)and the use of the reaction in the brain to shock or to definite imminent death, ie a sense of being pre-told within a minute Time anomaly or ratio.

The spread of the one to thirty-six differing characters of my 36er system can possibly enable the scope of the above to be effectively calculated.

More on my 36er System

The initial one centimeter of my 36er system relates to my symbol for thirty-six, ie., a square surrounding a circle in that it is a straight line containing programmed information compared to and describing a relation to a physical amount or measurement.

The initial one centimeter does not vary with regard to the physical amount, ie., one centimeter, but the lines around the circle of my symbol for 36 (especially the base line) often vary very minutely as a result of the information on amounts and sizes calculated within the initial one centimeter.

The lines of the square of my symbol for 36 automatically have significance as parallels, with parallels having ordering and interdependency significance (see work/blog). However, the circle within the square contains within it any number of angles of approach (see blog). Studying angles of approach indicates such things as position, Time, relation, the mind and the physical circumstances relating and connected to the angles of approach.

The lines of the square interpret and organise the above mentioned and utilize it for things like Time abbreviation. They give functional quantities to the assessments within the initial one centimeter. Photon variations for example are optimally depicted within parallel amounts.

The base line of the square can possibly change length minutely due to photon variations and differing photon amounts involved in the basic make-up of the subjects being quantified and defined within the initial one centimeter.

The factors involved within the circle of the symbol for 36, ie, the angles of approach relate to Density mainly through the facility of the human mind. However, they assist in the development of visual scope relays (see work/blog)(photons again), which engage the energy of numbers which relate or consist of reality segments, (ie., my reality buds). The gives us the potential for jostling Time to Distance and its related position, all of which require an agent. These last factors can then engage in different physical and position to Time combinations, position being a Time specifier, etc.

The Angles of approach are colour based, (I have described the details behind this in my work). Used properly they can rearrange the photon conglomerates as they accumulate and the momentum involved can be used to alter position(s).

Also here one sees, with regard to photon rearrangement, the interdependence of the circle and the square surrounding it, photons as mentioned above being ideally calculated within a parallel framework.

The 36 Repeated Triangular Movements

The construction of the thirty-six dimensions within my description of the repeated triangular movement (see work) is possibly linked to the colours and forces emanating from the planets within our Solar System and also to their varying positions as they journey around our sun.

Abbreviating Time

When the human related electrical impulses and power shades within the concept of enthusiasm are put into the extended moment, ie the locally induced Stillstand or staticity, the destination is reached within two seconds. My comments on controlling the expansion rate of the universe locally are perhaps also relevant here (see 2nd post of Saturday 8th December 2012).

Accessing Other Dimensions

I feel it is necessary to engage the spaceship in a large and repeating triangular movement in order to gain access to other dimensions. The amount of repeats would be three times and the 60 Dimension access angle (see early work) would be 140 degrees north to west, ie clockwise from the peak of the triangle. The triangle could be in any direction, ie flat, upside down, etc, but is technically upright.

The latter point of the above paragraph relates to potential and potential to the maximum density seen beyond the edges of the Universe. Gaining access to at least the 60 Dimension relies on understanding the three pronged aspects of potential as it weaves circumstances throughout the Universe, also those beyond our four dimensional understanding and this is supported by the three pronged aspects of a triangle, ie a triangular movement.

Also, with regard to the above, there is possibly a connection to the semifictional static state of atoms within an object travelling at the speed of light and the use of a locally induced state of entropy to control a safe entry into a viable Dimension for overcoming great distances in abbreviated Time.

I would recommend calculating different sizes of triangle (triangular movement) to enable entry into each Dimension desired. I have often mentioned the 1.1 to 1.2 Multi-Dimensional Access Factor. Calculating with this could be useful, especially with regard to reentry into our four dimensional world. Maybe a start would be giving each 1.1 and 1.2 a different measurement category.

Concerning Body Temperature and Light with Regard to Spaceflight

The reduction in body temperature of 2 degrees centigrade (see blog) enables the astronaut's  composition to adjust to the Light speed and abundance factors existing during my ideas on spaceflight (my daughter tells me one would be dead then, but I am writing it as it is given). These factors enable the geometrical structure of the astronaut to interact with Light and code it with regard to the information needed to help conduct the flight. ( see here work on semi-repeated triangular Flight tracks).

In order to calculate the above perhaps a square graph with two aspects would be required with fixed and evenly spaced points of reference along the upper line of the square and along the right side and diffuse more random guages along the lower and left side of the square. This would enhance factors such as the points on the compass ie N.S.E. and West with their Time and Light dictates. The diffuse gauge on the left and bottom part of the graph would most probably be colour, shade and hue references.

The Use of Effort and the Entropy Factor when Designing Spaceflight

The Time Line between the effort for Entropy and the still stand itself is a channel of Time which has imagination and known fixed end result attached to it. The very nature of the quest requires action,  thus making it unattainable.

It illustrates a period of work or kinetic exchange. It is therefore part of the Life Factor and is possibly part of the many Life Spans mechanism (see work) involved when designing space travel.

The Use of the Entropy Factor when Designing Spaceflight

We can use the entropy factor when designing spaceflight as we can pour moments into one moment if we can imitate lack of movement.  To a certain extent this is possible within objects moving at very high speeds as they are accompanied by Light which permanently veers away as It adjusts to the object and makes room for it, ie reorganises Raum, Volume and Time in connection with the high speed object.

Using the function of entropy as it engages with these last factors, one can control the length of the Moment by making it have a depth wise sequence/nature at a north to west angle of 145 degrees, which is my description of the Sixty Dimension involved in earlier work.  One can see here the connection between the human element and the nature of the Universe as according to the depth of a person's nature a circumstance has an associated gravity as it lingers and can dominate their Gefuehlswelt for a longer time than in someone who is light hearted and brushes things off.  The Moment of the circumstance lingers in their feelings, mind and Memory for longer. (Think of the expression 'gathering Momentum').

The object would relate variably to distance therefore there would be a flexi distance available for use. Any moments included would necessarily involve memory.

As mentioned, imitating lack of movement requires volume adjustment and this could be managed in a similar way to the 'swelling' involved in the sense of abundance.

One can realign an object to the paradox of effort and still stand, make it independent of it, then alter its speed of movement within a straight Line concept of connection between the two extremes to relate the spaceship/object to. The two degree reduction in body temperature of the space travellers is relevant here to.

More on Time Relevances Indicated in sets of Three Strokes

The sets of three strokes mentioned in previous post are prone to forming a circle after four or five sets have been delineated and this is a clue to the aspect shown in my work of one part of the parallels I try to depict which accompany the ship during its journey having an aspect of permanently falling away and revolving backwards in a reality consuming circle almost to where it started.

The two lines of the parallels, however, are linked as they inform joint reality moments with each having a different angle of approach at these mutually associated Time sequences.

Developing Time Dots

In developing a Time Dot sets of three strokes upon a straight line are used to relate a compacted Time quantity.  They mainly illustrate the relative density of a certain colour.

The strokes consist of two longer strokes with a smaller one in the middle.  They are a triennial system and extend beyond a digital nature to encompass feinstofflichen aspects, especially emotionally dependent densities.  In such a Time dot depiction Time and Light interplay and a factor of two related time elements which can be unevenly expanded are controlled by the speed of Light and the age of the observer.The number of the sets of the three strokes is relevant as they eventually indicate a circle.  They also relate to triangles and evenly divided circles (see work).

Squares, Oblongs, the Universe and Circles

In many senses, considering the overall geometrical curving within the Universe and the warping caused through the large gravitational fields, the curving within a diametrically cut circle ie in this case with three radii could contain information on overcoming large distances, which would otherwise be treated as purely lineal.

Transferring squares into circles and vice versa through the medium of sight (see visual scope) and triangular understanding concerning non linear increase, would mean linear distance is contained and possibly condensed into a circular base which employs the natural curvature which exists within the whole Universe making it have an almost repetitive function.

Seeing the whole as it presents itself in the circle instead of a separate and diffuse aim at the unseen end of a linearly based approach means that with the use of visual scope relays the angles of the square and triangle mentioned along with their associated lines linking the angles can be repositioned almost endlessly according to the Angle of Approach. All the above is dependent on the nub at the centre of the circle which automatically associates to cosmic functioning and can be termed a Time Dot.

Word and Sound Organisation Relating to the Universe

The organization within the Universe is possibly conducted through word formulation out of the availability of sound. It has a reality animating effect  and the Angle of Approach as used in my work, which leads to the multiplicity within the Universe is colour driven.

All of the above factors  can perhaps be contained and described using my Light numerals and scale and then indicated and applied by using my 36er system as there are possibly 36 basic factors from which reality within the Universe is built.