The Magnitude can be defined as everything pertaining to planet earth. My idea of the number 2s circling the earth (see early work) also has the function of differentiating between the two factors, ie, between cosmic mechanisms and functions exclusive to the Magnitude, ie, putting two and two together.
Perhaps the two's interact with the six inch cushion surrounding the earth, as mentioned in my work, which receives and records cosmic energies and the effect they have on planet earth.
If photons can be likened to/identified as my numbers and thus associated to colour then such a reality base could be utilised to change physical objects and could also illustrate how feelings can influence material and feinstofflichen reality, (see work on feelings and colour).
Pale green is perhaps a suitable initial hue when intending to prepare a specific planet for human habitation. It is a hue which harmonises with the information concerning the Distance Boxes and in this sense makes any changes we make harmonise with the Divine order existing in the universe.
It also possibly matches 1:6 on my Light scale and has substance related potential (see work).
I have mentioned in a very recent post on my world map the necessity of a 1:6 approach to construction upon a specific planet in order to make it habitable.
I hope soon to be somewhat clearer regarding the above.
The actual map shows outlines of several areas of land mass and is a circle with a diameter of 49.9 centimeters, covered with equally spaced squares and parallelograms which have side lengths of exactly one centimeter. The spaces in-between are exactly half a centimeter.
After fiddling with some arithmetic my husband and I found (hopefully correctly) that each parallelogram and each square coupled with the spaces at two of its sides equalled one hundred and forty-six thousand seven hundred and nine kilometres squared and each individual square or parallelogram without any of the surrounding half centimeter spaces covered an area of sixty-five thousand one hundred and eighty four square kilometers.
The squares and parallelograms with their values, especially those regarding position and slanting, signify the material and the spaces in-between the transcendental or feinstofflichen factors of existence.
Although such information is relevant for Earth, especially for the purpose of the synchronization of Time and language ( see blog/work), the mapping can be transferred to any planet we wish to make habitable. The latter would possibly require a ratio in connection with the map
Of 6:1 concerning everything produced to make the specific planet habitable. Such could perhaps even include gaseous or very dense planets.
One aspect of the crucially exact order described by the map is that it promotes a material and sound and sensation harmony and general synchronization of all aspects we know of and are exposed to, as well as facilitateing a new use of Time.
The roughly central squares on the map are 'language' describing how the above function of rendering a planet habitable can be effected. I hope to enlarge on this later.
With regard to my ideas on multiple triangular movements and such possibly enabling entry into other dimensions, such could possibly relate to the fact that a triangle lends itself to manifesting multiple triangles within itself through the direction of angle arms. With regard to my work on the 36er system, perhaps an amount of thirty-six different internal triangles could be considered. This is possibly also relevant to my work on The Angle of Approach with its material and immaterial relevances.
Position is linked to circumstance and there is a link here between the immaterial and material, ie; "well, if you take that position." Position is linked to Time and object and change and Raum, with each position/circumstance being of varying volume and reality engagement. It evolves at a different time and in a different passage of Time.
As a person views a circumstance from a different angle, this angle has been moulded by a previous circumstance, which brings physical and mental position and also myth and real into contact. These circumstances, ie, happening and human have all been instructed by cosmic and Earth's forces and they exist on a flat geometrical plane. Therefore there is a potential for identifying and reaching areas in the universe, which could be linked, especially with regard to their related Time phases.
Once again superimposing personal omnipresence onto the overall omnipresence energy factor and then withdrawing it once the desired destination, ie, position had been reached could help here.
The reduction in body temperature of 2 degrees centigrade (see blog) enables the astronaut's composition to adjust to the Light speed and abundance factors existing during my ideas on spaceflight (my daughter tells me one would be dead then, but I am writing it as it is given). These factors enable the geometrical structure of the astronaut to interact with Light and code it with regard to the information needed to help conduct the flight. ( see here work on semi-repeated triangular Flight tracks).
In order to calculate the above perhaps a square graph with two aspects would be required with fixed and evenly spaced points of reference along the upper line of the square and along the right side and diffuse more random guages along the lower and left side of the square. This would enhance factors such as the points on the compass ie N.S.E. and West with their Time and Light dictates. The diffuse gauge on the left and bottom part of the graph would most probably be colour, shade and hue references.
The Light Quantity extends to the body (I am thinking here of cosmic bodies) and then it interacts with the properties of that body's mass or content. It interacts especially with the factor of mass.
This interaction creates the behaviour of the body. In order to control such a situation one has to consider creating temperature variances - usually a reduction of the temperature of about two degrees centigrade. Temperature interacts subtlely with Light and this allows for very slight but powerful colour inferences to be programmed into it which could possibly lead to enabling the changing of a planet's position.
The circle within the square depicting the 36 of my 36er mathematical system contains within it, in angle form, the design of what should happen. The angles and angle arms are a result of angles of approach and their physical and abstract results ie the circumstances that evolve. Think here of the word 'circumstance', it is an encircled stance - a stance being someone's attitude/approach towards something ie towards a circumstance.
This leads to the manifold complexity and mutual interconnectedness of reality; past, present and future and converts them to One inherent flat geometrical plane. (We have to be careful here that no intruder can initiate something like a domino effect once we understand this Oneness).
The programmed Initial One Centimetre of the 36er system (see blog) defines the amount and gives the values the amounts have when related to a solid or physical One Centimeter. The computerised proportions it relates are indicated within the remaining 35 characters of the 36er system.
As the angle arms within the circle (see above) vary in direction according to time, attitude, Time-phase of Day, Epoch and position (see work), the use of the amounts indicated by the Initial One Centimetre vary.
The factors mentioned above also indicate how the realities of the semi-repetitive triangular movement, which can overcome vast quantities of Time and Raum can be brought into existence (see recent work and blog).
One of the factors involved in time and Distance regulation could be shown as two concurrent vertical Lines which are positioned parallel to each other. One of the parallel Lines is moving upwards and the other downwards.
Each Line has seemingly randomly placed points on it and these points on each Line relate to points on the other Line. This factor enables them to co-ordinate and to continually adjust each other's rate of speed.
The speeds indicated by the Lines relate to distance and further, with the help of my semi-diagrammatical thirty-six system (or something similar), they relate to the material content associated to the area covered by the massive distances involved within the stages depicted along the left Line.
The physical and spatial circumstances involved in the area(s) covering the great distances is compounded into a Time Dot, (see work). This is similar to the compounding of the material content and spatial circumstance within an utterance.
The physical Time comparison and ratio could be related to the duration of the utterance. This would automatically involve distance.
Each mile within the 2,300 Trillion miles squared is allotted a relevance to a set of digits within the whole range of digit symbols of my 36er system. The digits are then related to the circumstances contained within a square - the square being representative of a mile.
The Circumstances can be illustrated by Light variations. The Light variations can indicate the energy variances within a circumstance and also indicate distance. The Light variations, could possibly also indicate compounded distance relative to the miles, due to the Coding in the Light.
The Coding in Light arises out of the permanent presence of the Light sheet with its on-going creative immediacy ie reality and the sheet's almost static relation to the speed of Light. It is, therefore impounded with significant information and a certain duality, ie photon meets photon.
One can perhaps use this potential within Light by adjusting it to Time Quants.
Hydrogen is induced by Light. However, Light also defines Hydrogen molecules and atoms as separate, in the same way that Light defines the separatness of things.
However, it is interesting to note that hydrogen gas can pass through objects.
If there is no Light at the Time we are feeling our way around a room we stumble and crash into objects because of separatness. However, in the dark everything is bound in a common bond of darkness. Things have an aspect which makes them indistinguishable from each other (the fact that hydrogen gas can pass through objects thus bonding, although there is Light is relevant here).
In this context too I have discussed the use of hydrogen when developing Teletransportation.
Light, therefore, relates in a measurable fashion to matter and these factors to Time, especially to Time revealing change.
The physical make-up of BCC'S is represented in a scale of colour with amplitude and dispersing quantities as part of the scale. Thus they are/have limitations and variances within and up to the maximum Light intensity, which in my theory is ten.
When describing materiality generally it is seen item-wise and there is vast colour fluctuation involved between perception and object. See also work on angle of approach.The BCC'S give an average or an average representation of the varying values within an object and harmonise and relate the object with other objects creating a wave flow. This makes degrees of dispersion, varying degrees of density and reorganization of the 'dance' or atomic oscillation within objects possible.
The adjusting of reality elements once these elements are defined within the box model (see previous post), is done according to the Coding in Light.
This coding associates to the memory function within reality, especially with that within the water within cells as this in turn releases the coded Light which is emitted from dying cells.
Once these functions are harnessed the memory relevant to any epoch within the universe and it's human relation can be used to start ships in a past Time time frame. This, as mentioned in my work, is necessary to counteract the future Time that would otherwise be necessary to cover the immense distances involved in space travel
