Angle and Number Associations with Regard to my World Map

The Angles associated to each of my numbers, ie, one to 101 and 110, as depicted in my little yellow exercise book, and which were composed at the outset of my work,  can be used to apply the correct number to the parallelograms on my world map.

Such plays a part in linking area to area involved in teletransportation. Also, the angles when used properly help the positions on earth indicated in the form of the parallelograms to relate to cosmic factors.

Such applications as above could possibly be adapted to any other planet people wish to inhabit.

With regard to this latter point I have mentioned details which could be enlarged upon, which would facilitate rendering a planet suitable for human habitation.

The Word and Beaming

The Word and Beaming

The One Word being spoken which is mentioned in “More on the Word and Beaming”

of 27.11. 2013 is an utterance which involves the power within one parallelogram (pg) on my world map and its related information square (see blog) and this pg draws in with angle arms i.e. geometrically the same single unified word element from each other pg. The pg`s can be transposed.

The pg from which an object is being beamed fitsTime wise according to my clock with the moment of beaming or any fictional time of beaming (see blog on creating an induced time of day).

Each pg has access to the info contained in any other pg. This factor is recquired when using the information from other pg 's across which an object is being beamed and of course from the pg of desired destination. 

The Potential of Time Volume

The Potential of Time Volume

If the 13 year Time process, as mentioned in recent posts, would continue in a near vacuum i.e. in vacated areas around objects it could be used to 'expand' the areas around sections of bcc conglomerates.

Time Volume can expand the borders of Raum as well as time generally can become material and visa versa.

The above would also apply to the area around individual physical aspects of events.

I have made an attempt in my work to outline laws which relate to the above concerning gravity and mass and position adjustment, especially when beaming an object past the molecules in the obstacle.

Hydrogen Molecules and Beaming

Hydrogen Molecules and Beaming

Hydrogen molecules play a big role in co-ordinating gravity during beaming. As mentioned energy fields through which an object is being beamed and which are created by emotions either collective or in one or two individuals and also in different national mentalities, have a weight conveyed basically on, through and with colour (see blog).

These energy fields with their gravity count can be counteracted during beaming by the use of hydrogen molecules and single hydrogen atoms. The addition of one hydrogen atom within a six metre arch between any group of bcc´s would reduce gravity to 6m per second.

The gravity would be a controlled height reduction rate of 6 meters each second. This would only occur within the six inch cushion surrounding the earth and would be relativised to it. The gathering impetus of the falling (beamed) subject would be lined up with the minute gravity counts involved in adding and deducting hydrogen atoms to the bcc´s (see work). These would interplay in order to keep emotional weight under control and for acceleration during beaming. This is because of the inherent use of gravity counts in respect of acceleration and further to sound and distance and therefore to Raum.

The acceleration resulting as above would make actual graded gravity inactive. However as there is an element of staticity involved, especially in the condensing of time, the object does have a semi fictional aspect. This semi fictional aspect has already been explained. However it is also partially created by the angular visual scope energy direction and as mentioned in earlier posts by the electrical perceptual and sense energy involved in the word relinqurishment.

Referring back to the six metre arc, this would contain time-volume. The time-volume could create an enlargement of time but also diminish time within the arch to an average of the new gravity count divided against any amount of my smallest time units up to and including 6. Here we have the O i.e. six infinity Nothing (see my 36er System) which relate to the weight of one hydrogen atom, thus to the origin of the universe and the One Time potential of all past time.

The above is an exercise in employing time-volume. The six metre arch of Raum involved remains but its time of involvement in any transition can be almost non- existent.

Also this minimal time involvement when encountering spaces is partially due to viewing reality as successive flat two dimensional planes at a 2° angle behind each other. One is not involved here in Raum, but in paper thin 'pictures' which are permanently being permeated.

 

More on the Word and Beaming

More on the Word and Beaming

The word of the beaming journey resulting from the letter content of each parallelogram used (see Blog) synchronizes with the one word which is spoken throughout the world (at the time of beaming) i.e. it is coordinated by all the parallelograms and results in accomplishment of journey.

Time and Beaming

Time and Beaming

Going from a point of origin of maximum density mentioned in my work we can guage

the gravity and density de-synchronization needed to match Time issues involved in Beaming (see work). When matched with immense Time-Volumes these gravitational differences become extremely small and for consistency when Beaming, factors like the dimensional and emotional weights and mentality differences have to be assessed within the gravitational calculations made. However, these factors could be accounted for by light nodes working within the crucial six inches (see blog) above the surface of the earth.

Dashes

Dashes

The length of the dash mentioned in “collective Emotion”, etc. is 3/8 the size of the

bottom line of a third 36 i.e. see No.1 below, when the first two 36s are squared (as depicted). (Illustrations such as dashes are necessary when quantifying an aspect of reality by making indentations in the carrier ether or mutual medium and bringing a Divine impulse into a particular structural pattern).

The amount mentioned in the article contains the distance involved as indicated by the sum of the mentioned 36s, as it relates to a flexible aspect of a 36 , or to a line, or to lineally co-ordinating, Nothing, Infinity or six i.e. the O aspect of the 36er system ( see No.2 below) with other factors such as light and ageing etc. I have already tried to explain ratios where one part increases in relation to the other part (see blog).

Further, to enlarge on what was mentioned in the article referred to, I would mention that the distance of a completing Time-span indicating a Time-Volume of three years (i.e. a landing Time span) after overlapping a previous span for three seconds is the same as for and includes the 10 year Time-Volume span, i.e. circuiting any 36 diagrammatically i.e. see No.3 below. As yet I can only explain this in that it harmonises events and this three year circuiting automatically completes a 10 year Time-Volume span.

The size and direction of the dash and the other quantities given are a base from which other diagrammatical conjectures can be created for the purposes of beaming, heating, air conditioning, genetical transformation and flight lines in outer-space, which I have often denoted in line or pattern form.

However, dashes and lines may still be and still remain a result merely of timing and poetical inspiration. But let´s try.It can be said then that the dash quantifies/substantiates the whole 13 year Time-Volume measurement mentioned in the article.

                                              No.1

No.2

                                                      No.3

Basic Chemical Compounds (bcc´s)

By using the term basic chemical compounds (bcc´s) I am also trying to define scientifically my reality or gravity buds. The bcc would be the basic model from which the whole is constructed. However these bcc´s would each have to be generally representative of all the chemical compounds making up the object in weight and density etc., i.e. of each other. This norm or average is attained by studying the factors illustrated in my definitions of reality or gravity buds. These inherent factors within bcc´s give them a standard or point of origin which makes the bcc´s accessible and they become manouverable by light and other factors mentioned making up the basic gravity or reality buds. The reality buds infuse the bcc´s with a divine influence which makes them a complete indivisable unit suitable for planning the physics of the future.

They become natural units above the atomic level which obey the laws attained by vision and the senses and react to and follow common sense. Things like light and time are divine gifts. Also the breath of god permeating the universe is a divine gift. These are to an extent now at our disposal, providing we don´t ruin them and ourselves by continually searching amongst sub atomic realms.

Each of the bcc´s have an average metred into them as they are identifiable by the material non-material medium of numbers. Understanding and balancing the dancing units instilled into objects also makes the average mentioned above decipherable. The numbers within an object are also of a divine nature in that they contain the musical quality in light. This latter aspect is now at our disposal in things like my bio units, i.e., interchangeable strings of numbers. The bio units link my words and their association with my 36er System and a 'solid' form of mathematics.

One could persuade these enriched bcc´s to part from each other by using the bio units as they are mentioned in work, i.e., by projecting reorganising

music into the object as the beamed subject moves forward and/or projecting innate magnets into groups of them so that the natural attraction is balanced and therefore they become manouvarable.

Once the beamed subject has passed through the ten foot gaps the ordered light- music of the bio unit and the withdrawal of the innate magnetism causes a normal cohesion. 

Aligning Elements

Dividing mass, gravity and Light each between one to ten then each division with ten subdivisions assists in their co-ordination and linking, through the 36er system, with my numbers which are, as mentioned, initial reality foundational elements.  Also  the decimal divisions are then relatable to the 1.1 to 1.2 multi dimensional access calculations.  The one to ten could be equated to Time divisions, i.e. three of my smallest Time units to one main division.

With the help of vision voltage and visual scope the divisions are also translatable through the initial one centimetre with the five stage computer language.  For details on the above see blog.

The above helps organise reality as reality is a result of the factors mass, gravity and light, with Time quant inclusions.  Through the numerical organisation of these factors computer programmes can be written enabling articles to be physically produced and beaming to take place and semi-fictional reality framaes created which surround spaceships in space.

As stated in blog understanding the mentioned elements as they manifest in speech and colour is the initial key to aligning reality, the human aspects requred for spaceflight and a technological approach to extra terrestial situations.

More on Beaming

When beaming from Deal in Kent to Laos one needs a sun line (see blog) of 28.21 cm at a 70.6° angle measured from a horizontal position.  The line, as mentioned in work, consists of seemingly randomly positioned semi animate 'pixels' - perhaps charged charcol particals, perhaps minute number(s) particals.which interact with the information given on blog and in my work on my world map.

The semi animate 'pixels' are crystaline structures which are a result of transferring the sun's rays through the brain.  This aspect of the brain can be simulated.  The 'pixels' help desynchronise gravity and mass and knock out the time factor associated to travelling to the extent mentioned in work.

As mentioned in blog the word energy involved in the word relinquishment is the first aspect in beaming.  When the destination is reached 'be' is the second aspect needed, then 'have' the third as one integrates with the new surroundings.  The words have to be specifically programmed to attain intonation covering the intention, i.e.details of distance and Time etc.

As mentioned one has skin orgasms when beaming and with the correct utilization of the number and light energy involved it can be used to heal the beamed subject, even of hereditary ailments.

Vision Voltage and Beaming

The vision voltage aspect mentioned in work can be used for beaming and controlling ships in space as this transmuted energy can desynchronise gravity and mass, which is a factor necessary if we are going to establish beaming in conventional physics.  I am sure vision voltage which is a transcribed sun energy can be harnessed and applied to our mobiles to facilitate beaming.

Time can be partially manipulated which is also necessary for beaming, by understanding the musical quality in light, (see blog) especially using my information on Light and my scale for measuring light.  When desynchronising mass and gravity I would recommend a one to three ratio continually exchanging between both factors and the time and other factors allowed for beaming as mentioned in work  regulated to match this.

De-synchronising and Synchronising Different Factors when Considering Beaming

De-synchronising mass with gravity and bringing Time to from a quarter of the speed of light to the speed of Light helps facilitate Beaming.

Time would in this case be accelerated by running it around the lines of a border of a square or parallelogramme as the Square or Parallelogramme would be a relativised statement of the world with of course its relationmship to massive Time pockets and areas within the universe.  (see work)

This information can be applied to the linear approlach denoted physically by my lines and illustrated by 'squaring' the linear mathematics of the sun.

The lines are broken down by numbers and distances, angles and overall length when designing them for beaming.  The squares or oblongs denoting the related transformed mathematics of the sun are filled witzh the coded energy coming from the sun with regard to Light and Gtravity.

A quarter of the speed of Light is one of my smallest Time units (see blog).  The speed of light is denoted by one musical unit which is a trillionth of one of my 36 disvisions on my clock.  (see blog().  One beams within this range.

The World Time-Word and the Parallelograms

The semi-fictional centre of Earth (see blog) is defined and controlled by the world Time-Word response outlined in my work.

Each parallelogram of the world map and hence its relevant area is given a number.  The numbers may be repeated.  The numbers change the angles of the slanted lines in the parallelograms very slightly.  This indicates a slight change in its governing shade, which then blends differently with any other parallelogram area in the world.  Once the shade has slightly altered,  the sound moderated by the shade is known and variations of the word apple with  its electronic gaps between  the letters helps spread mutual understanding and enables beaming.

The slightly altered angle,  shade and moderated sound within and coming from the parallelogram adopt a variation of five of my smallest time units and each of these five units are linked to the spoken utterances in apple.  A beamed object beams within the time taken to utter the word and the information regarding the actual distance travelled,  including that of the encoded C planes  (see blog) is obtained by understanding and using the gaps between the letters.

The gaps instrument  the change in angle of the parallelograms (see above) and absorb the material reality organising power within the numbers on the parallelograms.  This alone can 'create' physical distance.

More on the Semi-fictional Centre of Earth

The semi-fictional centre of Earth offers a theoretical still stand of beamed object in that the travelling speed of the beamed object is balanced by the semi-fictional centre of Earth.

The semi-fictional centre of the Earth is permanently moving in the opposite direction to the beamed object, i.e. at a 180° angle to it.  This mutual speed ,i.e. of the two radii is related to the west-east revolution of the Earth, when these aspects are reverted.

This speed factor and the calculation of the radii etc., extending from the exterior of the core of the physical centre of the Earth is also dependent on the speed at which the Earth is travelling through space.

There is always an important angular relationship between any elevation above the Earth of above 6 inches and the length and position of the mentioned radii, i.e. that of atmospheric conditions and influences emanating from the universe.  These conditions cause fractional differences in the length of the radii and the associated circumference. The resulting circumference can differ very slightly in size to that of the actual distance of the journey.

The Two Centres of the Earth

A few notes on the calculations regarding the semi-fictional earth centre (see work), especially regarding its relationship to the geophysical centre or core of the earth.

Both of the above relate to the 2° every two seconds.

The speed at which the beamed object travels is related to the degree of fictional state of the upper semi-fictional earth centre.

The Light being withdrawn to whichever degree instructs the semi-fictional centre of the earth to continiually catch itself up.

Referrence to Diagramme 'Time-Volume'

The lines in the circles in the diagramme Time-Volume (see blog) indicate area of Time-Volume diffusing a potential hazzard. The area of B for example relates to C by the nature of three seconds more Time-Volume.

The increased Time-Volume involved can be described angularly by decreasing the hazzard as mentioned and by going from a basis of three spectral intakes per minute. The minute relates to the angles and reduction of probabilities by 0.2° and covers any position in the universe, which can relate to two square inches, (this being the origin of part of a Reality Frame).

This construction is then super-imposed within any form of volume and is calculated within the 1.1 to 1.2 scope with its multi dimensional approach, (see work)

In multi dimensional space (designated as being between 1.1 and 1.2) there is no sense of origin just position relating to several edges with the position reaching/aiming away from the observer at a 130° south east angle. The only sense of origin is the observer and his potential for infinite possibilites and scope and things like spectral intakes (possibly his) and a geometrical understanding of the position of and construction of the Earth, with regard especially to the fractal patterned edges of the universe.

The base code and beaming

Everything either an animate or inanimate item has an inherrent numbered structure. (see work for base code) when studied this gives a name.

The parallelorammmes on the world map are also given a name according to their geographical features, time order and the effect the planets have on them. This name is also derived from numbers. When associating the shades, gravity count and time units involved a subject can be beamed to any area in the world.

As already stated the subject through the power in the word relinquishment is reduced to a 'photographed' state, the inner motion having ceased, which is suggestive of great speed. The item is propelled through the computerised coded C planes and upon reaching the desired position is reclaimed by the power in the word 'be' and then integrated into its environment with the power within the word Have.

Using the word relinquishment colour is extracted from the item and it becomes semi-fictional and able to be beamed. The item's inherrent code is retained and used for reconstructing the natural state.

Perhaps adjusting some of the numbers and shades and angles involved in the code in the 'Be' stage could heal the subject, even of deformities.