Mastering Volume and Sound Ratios

When mastering Volume as mentioned in  post 'Sound Aiding Spacetravel' I feel volume and sound must be dealt with as a varying and volatile set of ratios contained for calculating purposes within Oblongs.

One way to establish the correct ratios between volume and sound is to harmonise and develop their amounts within the Oblongs so that their values then fit evenly into squares or square assessments. Both elements of volume and sound, however,  should maintain their own identity throughout the above mentioned process.

One way to effect the above is to identify the properties of each as sets of dual numbers.

The above could perhaps also be one of the stages involved in the development and use of the five alternative computer system mentioned in earlier work.

More on Triangles and Accessing Other Dimensions

With regard to my ideas on multiple triangular movements and such possibly enabling entry into other dimensions, such could possibly relate to the fact that a triangle lends itself to manifesting multiple triangles within itself through the direction of angle arms. With regard to my work on the 36er system, perhaps an amount of thirty-six different internal triangles could be considered. This is possibly also relevant to my work on The Angle of Approach with its material and immaterial relevances.

More Detailed Use of the 36er Mathematical System

The circle within the square depicting the 36 of my 36er mathematical system contains within it, in angle form, the design of what should happen. The angles and angle arms are a result of angles of approach and their physical and abstract results ie  the circumstances that evolve.  Think here of the word 'circumstance', it is an encircled stance - a stance being someone's attitude/approach towards something ie towards a circumstance.

This leads to the manifold complexity and mutual interconnectedness of reality; past, present and future and converts them to One inherent flat geometrical plane. (We have to be careful here that no intruder can initiate something like a domino effect once we understand this Oneness).

The programmed Initial One Centimetre of the 36er system (see blog) defines the amount and gives the values the amounts have when related to a solid or physical One Centimeter. The computerised proportions it relates are indicated within the remaining 35 characters of the 36er system.

As the angle arms within the circle (see above) vary in direction according to time, attitude, Time-phase of Day, Epoch and position (see work), the use of the amounts indicated by the Initial One Centimetre vary.

The factors mentioned above also indicate how the realities of the semi-repetitive triangular movement, which can overcome vast quantities of Time and Raum can be brought into existence (see recent work and blog).

Parallel Lines and Visual Scope

Parallel Lines relate in turn to a triangle as I think I have stated, in that the base line would correspond to the peak of an isosceles triangle under the rules of visual scope ie that the peak is seen to be a permanently receding position at the 'end' of parallel lines and this position can be defined as a point on a line which runs from left to right parallel to the base line.

When one has reached each point of recession the triangle arms leading from from the peak automatically open to form a square or rectangle, with the now upper line parallel with the lower/base line.

As described in my work while the ship is traversing between the parallel lines it is continually travelling through upright squares which has the effect of discarding a series of nows. The nows in this form are specific Time and space contents with their related material content in an altered state possibly made possible through gravity, colour and light manipulations. Also they would relate to physically complete reality aspects on earth and the Time(s) of these aspects having been present (shuffling again).

Repeated repetition of travelling through a series of nows as stated above means a miniscule amount evolving in regulated Time and yet these Moments containing  the Time epochs calculated for reaching the specific destination required (see work). This latter aspect would also be partially due to the hitherto regarded point of travelling aim ie the peak at the end of the parallel lines permanently almost doubling back on itself as it continually adjusts from the peak of a triangle to an immediate square.

Conclusive States when considering Spacetravel

One conclusive state can be shown as being on the periphery of one full circle and relates to the reality squares mentioned in posts of 25th September this year.

The sequential information contained in the Moments on the periphery is usually only relevant to an arc on the circle, ie, a limited amount of the periphery of the circle. These reality sections which arise out of individual uniqueness and its appropriated happenings, plus the Angle of approach seen both mathematically and psychologically can be shuffled with other sets of arcs-of- moments.

The conclusive state denoted by the full periphery is related to one major 36 on my clock. The minor 36ths within the relevant major 36  relate to the Time(s) alloted to the individual events concerned in the said conclusive state and act as a link between the arcs-of-moments contained on its periphery. The minor 36ths act as a shuffling medium and are yet another precaution against inertia.

Circles, the 36er System and Triangles

One can indicate the points of contact of each angle of a triangle (within a circle) without illustrating the triangle's arms - which seems like a bit of useless information.

However, this has to do with my 'descriptive' first cm of my 36er system. The points are basic substance nodes.

The points pertain to the extensive information contained in 'angles of approach' (see work) and how these angles of approach contain all knowledge when they relate to the variances possible contained in a circle.

Being sort of substance nodes which indicate an angle of approach they give the latter relevant gravitational weights which fluctuate. The weight of the person purporting the aspect would also be relevant as well as the weight of the outcome of the knowledge aspect. The latter would be alloted mild but relevant colour shades.

This information would be broken down into illusory quants (see work) possibly by using the electrical impulses within the brain concerning this phenomenon, coupled with a function in Light. It would then have the energy/factor of potential co-ordinates integrated within its programming. This would then be the foundational context of the initial 'descriptive' one cm of my 36er system. The one cm would, as stated in work, be guided in quantity and amount by the rest of the 36er System digits.

Triangles and Reality

Triangles and Reality

Each angle of an even angled triangle is theoretically 90°. It has a proportional deduction of reality capacity enclosed within its angles, according to the laws of the number, position and chemical composition of the bcc´s of objects surrounding it. This larger reality concept is depicted by a square which encloses the triangle.

See here: visual scope and angular limits and aiming of vision voltage. See also the electrical contents of spectral intakes involved in perception and senses and notes on successive squares portraying reality.

The proportion of reality deducted by the use of even angled triangles is relative to any information square (see blog) containing its individual information and which relates to the topic of the triangle. These dictate through colour a controlled view of reality, which fits into his or her symetrical angular degree of comprehending (Auffassung)

The counts are three information squares, which can be issued in simplified form to one 60° I.e 90° angle. One sees here also the relationship of a moving point to a restrictive border and thus an extending sequential lineal calculation as can perhaps be seen in a propelled hydrogen atom (the nature of which can perhaps be simulated) and during take off of a spaceship prior to entry into 60° or flight dimension.

However, the point where breaking the border takes place is relevant as this relates time to distance. A point of 0.2° from any second one of my smallest time units equals any information square U. See work for relevance of U in my parallelograms.

Among other things, the information in info square U is 6 inches along a flight line, and is depicted as below No.1 when orientating oneself in outer space with the diamond locator (see blog).

The diamond locator follows a plan of the universe, but this is indicated by fixing a desired area in its centre point within 3000 billion miles cubed of any other point and within this centre an orientation as described above can be made.

A point breaking the boundary at see No.2 below I.e the x is suitable for beaming and space flight. Both involve dimensional manouvering and the correct directional assessment is necessary as this necessarily involves time and spatial and gravitational differences.

In beaming which, at the moment just involves earth realms, the subject adapts to gradations measuring the revolutions of the planet. These measurements where beaming is concerned start at the dividing line in America, as depicted in earlier posts. Also involved in beaming where direction and breaking a triangular boundary is concerned is the 6inch cushion at the surface of the earth and its reaction to influences from within the universe. The main influences from outer space registered within this cushion are gravitational influences especially those of during a past time and functional time I.e the natural passing of time and how these fractions of the One Time are contained within the said cushion.

No.1

No.2

Lines and Lengths

Lines and Lengths

The length of a semi-fictional or energetic string of 1 to 36 I.e see No.1 below can be any desired length and the line can be used to represent the completed cycle of 1 to 36 i.e. No. 1 below. The length is co-ordinated with the range of digits within its related 1 to 36 (see Blog for 36er System)

However the line is represented within a second initial 1cm which when written is placed to the right of the first initial 1cm and then it equals 0.3698 cm.

No.1

Time and Matter

Time and Matter

A short line measuring 0.5382 cm indicating 3 Nano meters is a representation of matter within the mentioned time Ebene reached through the given statistics. It shows the semi-fictional state which applies to the Time Ebene indicated by the statistics. It can be drawn in carefully chosen directions.

It is the basic matter calculation within the Time Ebene and a basic unit i.e. 0.5382 cm alluding to three consecutive 36's i.e. see No.1 below (the 36s depicted below should be next to each other and considerably smaller). Its length and position consume three Nano Meters within the other Time Ebene and also within four Dimensional comprehension.

The three Nano Meters in the other Time Ebene react in line with the 1.209 cm dash mentioned in recent posts. I hope to explain this in more depth.

At the moment I can say they coordinate through the initial 1cm (see Blog) and through this to the different Time light and density to distance amounts within different Ebenen and dimensions.

These can chiefly be seen by the differing amounts within the completed 36s shown.

These 36s relate to various factors as has been seen in previous work and by 
now a deduction as to different relevances can be ascertained.
(The 36s should be next to each other. Will be next week....)

Dashes

Dashes

The length of the dash mentioned in “collective Emotion”, etc. is 3/8 the size of the

bottom line of a third 36 i.e. see No.1 below, when the first two 36s are squared (as depicted). (Illustrations such as dashes are necessary when quantifying an aspect of reality by making indentations in the carrier ether or mutual medium and bringing a Divine impulse into a particular structural pattern).

The amount mentioned in the article contains the distance involved as indicated by the sum of the mentioned 36s, as it relates to a flexible aspect of a 36 , or to a line, or to lineally co-ordinating, Nothing, Infinity or six i.e. the O aspect of the 36er system ( see No.2 below) with other factors such as light and ageing etc. I have already tried to explain ratios where one part increases in relation to the other part (see blog).

Further, to enlarge on what was mentioned in the article referred to, I would mention that the distance of a completing Time-span indicating a Time-Volume of three years (i.e. a landing Time span) after overlapping a previous span for three seconds is the same as for and includes the 10 year Time-Volume span, i.e. circuiting any 36 diagrammatically i.e. see No.3 below. As yet I can only explain this in that it harmonises events and this three year circuiting automatically completes a 10 year Time-Volume span.

The size and direction of the dash and the other quantities given are a base from which other diagrammatical conjectures can be created for the purposes of beaming, heating, air conditioning, genetical transformation and flight lines in outer-space, which I have often denoted in line or pattern form.

However, dashes and lines may still be and still remain a result merely of timing and poetical inspiration. But let´s try.It can be said then that the dash quantifies/substantiates the whole 13 year Time-Volume measurement mentioned in the article.

                                              No.1

No.2

                                                      No.3

More on Beaming

When beaming from Deal in Kent to Laos one needs a sun line (see blog) of 28.21 cm at a 70.6° angle measured from a horizontal position.  The line, as mentioned in work, consists of seemingly randomly positioned semi animate 'pixels' - perhaps charged charcol particals, perhaps minute number(s) particals.which interact with the information given on blog and in my work on my world map.

The semi animate 'pixels' are crystaline structures which are a result of transferring the sun's rays through the brain.  This aspect of the brain can be simulated.  The 'pixels' help desynchronise gravity and mass and knock out the time factor associated to travelling to the extent mentioned in work.

As mentioned in blog the word energy involved in the word relinquishment is the first aspect in beaming.  When the destination is reached 'be' is the second aspect needed, then 'have' the third as one integrates with the new surroundings.  The words have to be specifically programmed to attain intonation covering the intention, i.e.details of distance and Time etc.

As mentioned one has skin orgasms when beaming and with the correct utilization of the number and light energy involved it can be used to heal the beamed subject, even of hereditary ailments.

First Steps in Using Human Physicality in Spaceflight

To continue my essay on the position of the heart within outer space at specific Times and in specific positions as the journey proceeds I would add that it relates to forty-five years on the life span scale.  The 45 years is denoted by the area in Time-Volume indicated in work according to the diamond locator when measuring the approach to Arieles.  The 45 years, of course, remains static throughout the permanent change in lives, Time and position (see blog).  It has an Information Square value size of twelve inches squared, which involves the informatioon in computerised semi animate form on area, Time-Volume, visual scope,. temperature, hazzard and gravity.  This information can be put into bio unit form and contained/related within the musical coding in Light.

The 45 within the 36er system is transcribed as being two measuring squares or Light widths, i.e. 1-10 plus 1-10 to the right and two down.  This relates to the above positioning with regard to its presentation by the diamond locator when depicting an area in space, and on a 12" squared computer screen.

The 45 indicated within the 36er system is a 36 symbol, a sixer symbol and then three of the initial five strokes (see blog).  These are the diagrammatical equivalents of 45, and the related area definitions within outer space.

The Relevance of My 36

The parallel Lines around the 0 in my 36, (see blog) can be given different sizes.  These indicate the different sizes of the 0 which vary according to the presence needed, up to the size of omnipresence.

The 0 in one respect relates its object, i.e. the ship to staticity/infinity (see previous post) and the length of the parallel lines outside the 0 in my digit representing 36 is used to relate the size of the presence needed with the length of each 60D phase of each journey.

The length of each 60D depth phase is dependent on the density of Time-Volume present (see details on Blog) and vacuum exsisting in an area.  Once these factors have been ascertained space (Raum) can be modified (bent or discarded), factors which help in space flight when covering enormous distances.

The ship has a relationship to infinity for the following reasons; the 0 in the 36, in this case the ship, is surrounded by parallel lines. Also the space taveller has to relate his life to the immortality aspect in  order to align 60Dwith 20D travelling (see blog) (20D, as mentioned, is the four dimensional Earth experience).  It also relates to the yes, no, more, less, maybe, five alternative computer system mentioned  and to the ethics code illustrated in work.  These give life, action, furtherance to the static state of presence shown by the 0 and to the infinity aspect and take the danger out of the immortality control.  I would mention here (that the 0 also means six and Nothing.

See work on journey to Arieles to draw relationships between the size of the 0 neeeded to co-ordinate it with different areas in the universe.

The parallel lines around the 0 are designed in size as decimal fractions relating to multiples of any 36.  They make possible the utilization of diagramme, and a universally applicable whole number and the massive potential of a broken state, i.e. fractional Time and Space.

The Advantages of the 36er System

It is difficult to get a relationship to things/everything with present day mathematics, especially as people claim that the amount of natural numbers is infinite.  As nothing, including Nothing is infinite, then the digits describing things can't be infinite.  They might be infinite in nature but this makes them merely hypothetical and even more estranged from substance and reality.

The fact that Nothing becomes something means that it isn't infinite.  Even God is contained.

However, my 36er system behaves differently.  Every singe item has a solid quality of One cm (i.e. the initial one cm, see blog).  Characteristics of the initial One cm, ie.of the item concerned are described by programming them basically in decimal form into the One cm.  Amounts of the thing are delineated by the succeeding digits of the 36er system, (see blog).  The fact that everything is transient and changes over Time and that each 36 is a conclusion in Time and delineation of semi-physicallity makes mathematics real, materially related on-going and not having an infinite nature.

The 36er system also facilitates Time manouverability. (see blog)

Numbers, Gravity and Change

To find the gravitational energy in the word as indicated in my work, the inherrrent power in numbers must be ascertained - in this case my numbers from one to one-hundred and one, then one-hundred and ten, along with the associations I have listed.

Three equals gravity and Light and is measured as one unit according to the Time taken to eat an average size apple.  This is one Light-gravity unit and has, as mentioned the value in three.  One ascertains the power in numbers partially by using angular relations of objects, understanding change and using visual scope.

Understanding change involves classifying objects and areas in  space in parallelopgramme form or oblong form, i.e. interpreting their energy count into evenly spread gravity buds or reality units within the alloted paralellogrammes.  These are then influenced by Light, especially the musical content of Light and can be re-arranged partiallly by the coding in Light.

Living on Other Planets

The advantage of being able tzo manifest needs by a computer programme (see early posts) is that extended space journies would be possible as supplies would be automatic.  This would be done by colour and a programme which used Light.  Once again I suggest a Light gradation of one to ten with each digit having ten gradations.  The light count would include the elements described in work.

Having landed on a planet of suitable size and density, an atmosphere would be created and the automatic oxygen supply to the body which witches and magicians can use, i.e. without inhaling and exhaling would be applied over an extended period until suitable conditions for life on the planet existed.

More on Angle Variances of Earth Parallelogtrams

The angle variances detailed in the most recent posts, including the alteration of the angle of the top line of the Earth Parallelograms are designed according to the word association spoken. If the letter pertaining at a specific time to a specific parallelogram is 'T' then the angle changes 60° or 6.3528.96.31 bio units.

This relation, i.e. the 60° and the bio unit stated is very important and is a standard from which other angular variances/changes can be deduced and orchestrated.

More on the Design of Flight Lines

The arms lead from the flight lines denoted in blog in distances of every two inches.  This, however, appears visually on computer screen to vary.  This is an adaption, seemingly apparent, caused by Light (see my scale etc. on Light) interacting with gravity and to a lesser extent Time-Volume.  This adaption follows various rules: 12 inches of Light with my inclusions affect a count of gravity 70 (see blog) by two minutes per measuring square which puts up a line leading from the lower third of a flight line by half an inch.

More on Flight Lines

Flight Line angles within the 60D for the purposes of space flight have extremely small variations with major angles leading from them.  Time- volume can be calculated geometrically and follows most  rules in geometry (not that  I know them).  However, physical living/life factors, as mentioned, have to be added and this can basically be done by using the 36er system touched on in my work.

The arms extending from the lines denoted by the very small variations in angles depict a form of permanent entry into the 60 Dimension (see blog).  They help the 20 Dimension and 60 Dimension relate.

The larger angles are related to how the word functions on Earth and the smaller ones are governed by Time-Volume and by sound power by relativised calculations of gravity with minute changes of gravity being relevant(see work).

Understanding gravity differently (see blog) gives a link between the 20D (Earth perimeters) and the 60D.  Time-Volume relates to gravity through Light and Light to visual scope and humanly involved distance.

Anything Greater than a 45° Turn

Anything greater than a 45° turn in a manouver during space flight would initiate entry into one of the dimensions available in the 1.1 to 1.2 factor (see blog).  However, this would not be planned and would disrupt flight aim as, as stated, entry into one of these dimensions is one way to escape a hazard.

A manouver above 45° is essential for gaining access to other dimensions using the 1.1 to 1.2 access factor.  However, other factors are involved such as pressure and co-ordination of position with the parallelogram system and the geometrical arrangement of the surrounding elements.

If gravity is above 70.5 then an eight degree turn is necessary.  However, my gravity scale is 1-70, and I have stated that the manouver must be above 45°.  This measurement, therefore, applies to gravitational rules beyond the borders of the universe.  It is, however, a key by which calculations can be made.  It would lead to the 'S' dimension which has an attractive, pastoral nature and its own star.  However, it is partially illusiory and cannot support material life.