Changing Time to Position Relevances

When considering altering Time to position relevances, with the enormous potential this offers, (see work from early 2018 onwards), one has to consider the importance of the change in the position of the fixed patterned parts at the edges of the universe which I outlined in earlier work. These patterns change area related position as they are part of the revolving universe and they regulate potential and therefore probability, order and sequence and thus the physical to Time ratios as we know them. One can identify the nature of these fixed patterns by analysing outcomes as these relate to the factor of potential which is engaged within these fixed patterns, as frequently mentioned especially in earlier work. Once we understand this proceedure, then the near staticity involved within the universal one time(UOT)factor can be used better, especially regarding accessing past Time epochs, areas and pockets. Carefully designed new geometrical relations have to be put in place if we wish to reach any distant planet by separating it from its Time relevance, yet respecting its initial order, (see work on position as a Time specifier). I feel this could be done by studying the position of the fixed patterns mentioned above using an identifying relation to a hypothetical top of the universe, ie., north, having regarded the universe as flat and two dimensional. The top would be addressed as 360 degrees. As my clock has a starting point of 360 degrees and my 36er mathematical system obviously bears a relation to 360 degrees, perhaps both of these systems could partially or wholly assist in calculating the above, thus enabling the wholesome estimation processes needed for this sensitive aspect of my work. With regard to the above, the word dis-locate could be of significance and this is yet another indication that my work embroiders on a very old knowledge which is now somewhat dormant. Once again I would explain that my clock has many and manifold associations connected to its Time indications and at the point of 360 degrees it can possibly reverse Time selectively, continue the Time process and enable near staticity while aligning these aspects with the manifold associations mentioned.

Integration Frequencies

Furthering the discussion on suitable frequencies for integration of feinstofflichen or astral bodies in with the physical and apparent body to enable beaming, I would add that the non-visible light quants  are also related in use to the 0.1of the MDAF as the frequencies mentioned and the MDAF are dependent on weight in the general sense, ie, weight and mass combined with a relation to light.

This latter aspect possibly enables measurement of thoughts.

Human Related Cosmology

The cosmic breeze and to a lesser extent the vibrational sound energy, both of which I believe exist throughout the universe are possibly the controlling factors of gravity and especially of black holes.

Perhaps these two factors keep not only gravity but also density and light balanced, enabling these three factors  to maintain movement within the universe.

And with movement comes change and position. The latter, ie, position engaging time, position being a time specifier (see work). Also, with the above aspects comes the human involvement in cosmic conditions, which one can see in such expressions as: 'well if you take that position'; 'I don't share your point of view'; ' I look at it from a different angle'; 'well,if you take that standpoint, we'll get nowhere', and the very revealing: 'really,we are going round in circles and finishing back at square one'. All of these statements refer especially to my work on reality squares and such as angles of approach  during spaceflight.

All of the above factors support the art of Feng Shui and are suggestive of the potential within certain states of mind and states of being, which have different parameters regarding distance, time and size within the universe.

The Angle of Approach with Regard to the Many Lives Factor

Kp The Angle of approach could be another factor involved in the many lives aspect of my work (see very recent work), in that each New Approach to any aspect or circumstance could be described as a new sense of self.

The emotional gravity (see work) involved in each new sense of self could also be helpful during Spaceflight, as it could be used for gravity adjustments within the reality frames surrounding the ship. The astronaut being within an omnipresence factor as described many times in my work, would have the effect of magnifying these gravity counts if needed, as the reality frame surrounding the ship counteracted the enormous gravity variations within outer space.

Maybe too, such emotional gravity counts as mentioned above could help create a gravity field within the ship itself.

The Many Lives Factor

To effect the Many Lives Factor which I feel would be necessary for effective spacetravel, the astronaut would view his reflection while assimilating the changes in the Angle of Approach.

His being then experiences complete emotional change as would be indicative of a unique individual (perhaps like an actor who assumes different roles but roles which occupy the whole person.

I feel the use of colour, with its emotional and Time dictates would be involved in these 'different points of view' being simulated and absorbed.

Position, Change and Colour Frequencies

One can change position and possibly shape using interpreted colour-energy. All aspects of the change relate to the surrounding external objects which, of course, each relate in Time and position to other objects and so on as the relationship spreads. However, it can be used selectively.

The function of Change can possibly help us view distance differently, ie as a Time and position related field which can be drawn in or extended selectively.

If it is extended, however, it follows a curved movement. Drawing it towards us can possibly be effected using visual scope (see blog)and the use of the reaction in the brain to shock or to definite imminent death, ie a sense of being pre-told within a minute Time anomaly or ratio.

The spread of the one to thirty-six differing characters of my 36er system can possibly enable the scope of the above to be effectively calculated.

Photons and Reality

If photons can be likened to/identified as my numbers and thus associated to colour then such a reality base could be utilised to change physical objects and could also illustrate how feelings can influence material and feinstofflichen reality, (see work on feelings and colour).

My World Map and Rendering a Planet Habitable

Pale green is perhaps a suitable initial hue when intending to prepare a specific planet for human habitation. It is a hue which harmonises with the information concerning the Distance Boxes and in this sense makes any changes we make harmonise with the Divine order existing in the universe.

It also possibly matches 1:6 on my Light scale and has substance related potential   (see work).

I have mentioned in a very recent post on my world map the necessity of a 1:6 approach to construction upon a specific planet in order to make it habitable.

I hope soon to be somewhat clearer regarding the above.

Position, Circumstance and the Material

Position is linked to circumstance and there is a link here between the immaterial and material, ie; "well, if you take that position." Position is linked to Time and object and change and Raum, with each position/circumstance being of varying volume and reality engagement. It evolves at a different time and in a different passage of Time.

As a person views a circumstance from a different angle, this angle has been moulded by a previous circumstance, which brings physical and mental position and also myth and real into contact. These circumstances, ie, happening and human have all been instructed by cosmic and Earth's forces and they exist on a flat geometrical plane. Therefore there is a potential for identifying and reaching areas in the universe, which could be linked, especially with regard to their related Time phases.
Once again superimposing personal omnipresence onto the overall omnipresence energy factor and then withdrawing it once the desired destination, ie, position had been reached could help here.

More on Omnipresence with Regard to Spaceflight

A spaceship would travel at up to a fraction less (0.6 percent?) of the speed of light, thus enabling a transfer of the individual omnipresence into/onto the general energy of omnipresence.

At this point, which would have aspects of a held or detained continuum, the many lives aspect ( see blog) would take place.

Concerning Body Temperature and Light with Regard to Spaceflight

The reduction in body temperature of 2 degrees centigrade (see blog) enables the astronaut's  composition to adjust to the Light speed and abundance factors existing during my ideas on spaceflight (my daughter tells me one would be dead then, but I am writing it as it is given). These factors enable the geometrical structure of the astronaut to interact with Light and code it with regard to the information needed to help conduct the flight. ( see here work on semi-repeated triangular Flight tracks).

In order to calculate the above perhaps a square graph with two aspects would be required with fixed and evenly spaced points of reference along the upper line of the square and along the right side and diffuse more random guages along the lower and left side of the square. This would enhance factors such as the points on the compass ie N.S.E. and West with their Time and Light dictates. The diffuse gauge on the left and bottom part of the graph would most probably be colour, shade and hue references.

Light and the Behaviour of Cosmic Bodies

The Light Quantity extends to the body (I am thinking here of cosmic bodies) and then it interacts with the properties of that body's mass or content. It interacts especially with the factor of mass.

This interaction creates the behaviour of the body. In order to control such a situation one has to consider creating temperature variances - usually a reduction of the temperature of about two degrees centigrade. Temperature interacts subtlely with  Light and this allows for very slight but powerful colour inferences to be programmed into it which could possibly lead to enabling the changing of a planet's position.

More Detailed Use of the 36er Mathematical System

The circle within the square depicting the 36 of my 36er mathematical system contains within it, in angle form, the design of what should happen. The angles and angle arms are a result of angles of approach and their physical and abstract results ie  the circumstances that evolve.  Think here of the word 'circumstance', it is an encircled stance - a stance being someone's attitude/approach towards something ie towards a circumstance.

This leads to the manifold complexity and mutual interconnectedness of reality; past, present and future and converts them to One inherent flat geometrical plane. (We have to be careful here that no intruder can initiate something like a domino effect once we understand this Oneness).

The programmed Initial One Centimetre of the 36er system (see blog) defines the amount and gives the values the amounts have when related to a solid or physical One Centimeter. The computerised proportions it relates are indicated within the remaining 35 characters of the 36er system.

As the angle arms within the circle (see above) vary in direction according to time, attitude, Time-phase of Day, Epoch and position (see work), the use of the amounts indicated by the Initial One Centimetre vary.

The factors mentioned above also indicate how the realities of the semi-repetitive triangular movement, which can overcome vast quantities of Time and Raum can be brought into existence (see recent work and blog).

The Use of Effort and the Entropy Factor when Designing Spaceflight

The Time Line between the effort for Entropy and the still stand itself is a channel of Time which has imagination and known fixed end result attached to it. The very nature of the quest requires action,  thus making it unattainable.

It illustrates a period of work or kinetic exchange. It is therefore part of the Life Factor and is possibly part of the many Life Spans mechanism (see work) involved when designing space travel.

The Relevance of (my) syllables and Symbols

The Syllables depicted in my early work and which are associated to my numbers and to the symbols I have indicated represent an amount of time. Time related to an utterance.

The symbols show the pattern formed in the brain when using their associated utterance, but these formulations also indicate activities within the Universe. Thus when identifying cosmic activities they are also indicative of positions within the Universe. Here we have a link between the human brain and cosmic areas, circumstances and Time.

Each syllable is a compound of twin elements - two elements ranging from the diffuse in definition to two acutely accurate amounts of Time. The latter can also be expressed in angular form. This indicates the potential for two elements to create activity, diversity and harmonised discrepancies such as Time and Raum differences.

The Use of the Entropy Factor when Designing Spaceflight

We can use the entropy factor when designing spaceflight as we can pour moments into one moment if we can imitate lack of movement.  To a certain extent this is possible within objects moving at very high speeds as they are accompanied by Light which permanently veers away as It adjusts to the object and makes room for it, ie reorganises Raum, Volume and Time in connection with the high speed object.

Using the function of entropy as it engages with these last factors, one can control the length of the Moment by making it have a depth wise sequence/nature at a north to west angle of 145 degrees, which is my description of the Sixty Dimension involved in earlier work.  One can see here the connection between the human element and the nature of the Universe as according to the depth of a person's nature a circumstance has an associated gravity as it lingers and can dominate their Gefuehlswelt for a longer time than in someone who is light hearted and brushes things off.  The Moment of the circumstance lingers in their feelings, mind and Memory for longer. (Think of the expression 'gathering Momentum').

The object would relate variably to distance therefore there would be a flexi distance available for use. Any moments included would necessarily involve memory.

As mentioned, imitating lack of movement requires volume adjustment and this could be managed in a similar way to the 'swelling' involved in the sense of abundance.

One can realign an object to the paradox of effort and still stand, make it independent of it, then alter its speed of movement within a straight Line concept of connection between the two extremes to relate the spaceship/object to. The two degree reduction in body temperature of the space travellers is relevant here to.

Defining Epochs Technologically

When designing a technological interpretation of an Epoch, which would enable it to be shown in an oblong the joining nodes or cusps of the of the angular relationships of the circumstances within an Epoch have to be prepared for computerised representation.  As this would necessarily involve Light and Colour I feel a five alternative computer system, as I have put forward in my work, would be necessary.  Also to achieve such a goal the information would probably have to include the differing Time, density and Raum perimeters of the astral and alpha states.The perimeters can most probably be obtained by viewing and analysing the human body with regard to its geometrical structure and make up.  All necessary information  is contained within this geometrical structure and it is in compounded form.  I might add that when viewing this structure within an ill person one can try to redirect angles in order to heal them.

A less dense body draws the colour and Light information into it possibly through an abundance and compassionate approach to circumstances.  This causes a natural expansion and integration phenomenon.

With regard to the last point there is also an association here to volume and to expanding the individual omnipresence onto a projected overall omnipresence.

Memory and Music within the Universe

if there is memory registered within water and the human body is composed of something like 72% water, this could interact with the coding in Light  to bring about a primal music through the all encompassing geometrical structure of the body.
I have tried to illustrate this primal music factor in my bio-units (see work).

The strings of numbers and the letters in my bio-units could possibly control the undulations within the universe and overcome the primal sound factor which creates distance.

More on the Angle of Approach

The very angle of approach as mentioned in recent posts animates the contents of the oblong due possibly to the minute electrical impulses in the brain connected to perception, and approach releases the staticity of the frame (work).  The frame (work) could also possibly be transported.

Epochs and their Substance

An Epoch can be contained physically? (imaged), descriptively and hypothetically within an oblong Reality Frame (see early work).  It is related to the Time Dot mentioned in the post 'Squares, Oblongs, the Universe and Circles' of the 10th  May.  According to its parameters, ie, its Time period and the geometrical relation, connection and evolution of the objects contained in it, it relates to its allotted parallelogram depicted on my world map.

Relating large areas and portions of Time with the evolution of the substance contained in them to the present geometrical  arrangement in say one's living room adds substance to aspects and portions of the Whole and thus to the Whole Memory which is extant.

The parallelograms associated to the oblong (this follows a carefully set order)cause a deviation from the depicted geometrically linked and static contents of the oblong.  This is due to the slant which can be seen as the Angle of Approach (see work). The angles of approach always differ as they change according to time of operation.  Also as they are connected to the parallelograms they differ according to their positioning with regard to the curvature of the Earth.

The Angle of Approach is also a subject needed when considering visual scope relays (see blog) and when considering the function of triangular movement of the ship, as in my work on developing effective spaceflight.

The Angle of Approach is thus applicable to the parallelograms on my world map as people(s) often see things 'from a different angle' and my work indicates generally the need for including human attributes when planning effective spaceflight. The Angle of Approach which can interact with a past or present attitude linked to a set of circumstances is instrumental in indicating the next spot for departure on the base line of the triangle as mentioned in blog.

The Angle of Approach is a deviation from the original oblong but it activates the reality within the oblong due to the factor of it being viewed, ie, perceived and thus a human attachment is established. This brings change related to Time in the Reality Frame and these could be adjusted to suit the distance required.