The Death Wish and Entropy

An interesting point regarding the death wish that many people have is that the universe 'desires' entropy.  It makes a permanent effort to reach a static state of death by entropy.

This could explain why humans gear their life to death and also have a certain death wish.

There is also a paradox here as effort is produced and used in an attempt to attain the still stand and effort is the key to movement and works against entropy. This is the basic paradox and contradiction within the universe of which humans are an integral part.

Reality,Time and Language

Parting sections of reality is the result of the brain breaking down the geometrical relationship within the 'picture' concerned and rearranging it into a future Time dependent construct.  This is possibly done by the relation in the brain between perception and language construction.  When expressing language in thought or word we are drawing on the whole memory with regard to the thing itself and with regard to our own associative language capacity.

More on Time Relevances Indicated in sets of Three Strokes

The sets of three strokes mentioned in previous post are prone to forming a circle after four or five sets have been delineated and this is a clue to the aspect shown in my work of one part of the parallels I try to depict which accompany the ship during its journey having an aspect of permanently falling away and revolving backwards in a reality consuming circle almost to where it started.

The two lines of the parallels, however, are linked as they inform joint reality moments with each having a different angle of approach at these mutually associated Time sequences.

Developing Time Dots

In developing a Time Dot sets of three strokes upon a straight line are used to relate a compacted Time quantity.  They mainly illustrate the relative density of a certain colour.

The strokes consist of two longer strokes with a smaller one in the middle.  They are a triennial system and extend beyond a digital nature to encompass feinstofflichen aspects, especially emotionally dependent densities.  In such a Time dot depiction Time and Light interplay and a factor of two related time elements which can be unevenly expanded are controlled by the speed of Light and the age of the observer.The number of the sets of the three strokes is relevant as they eventually indicate a circle.  They also relate to triangles and evenly divided circles (see work).

Defining Epochs Technologically

When designing a technological interpretation of an Epoch, which would enable it to be shown in an oblong the joining nodes or cusps of the of the angular relationships of the circumstances within an Epoch have to be prepared for computerised representation.  As this would necessarily involve Light and Colour I feel a five alternative computer system, as I have put forward in my work, would be necessary.  Also to achieve such a goal the information would probably have to include the differing Time, density and Raum perimeters of the astral and alpha states.The perimeters can most probably be obtained by viewing and analysing the human body with regard to its geometrical structure and make up.  All necessary information  is contained within this geometrical structure and it is in compounded form.  I might add that when viewing this structure within an ill person one can try to redirect angles in order to heal them.

A less dense body draws the colour and Light information into it possibly through an abundance and compassionate approach to circumstances.  This causes a natural expansion and integration phenomenon.

With regard to the last point there is also an association here to volume and to expanding the individual omnipresence onto a projected overall omnipresence.

Memory and Music within the Universe

if there is memory registered within water and the human body is composed of something like 72% water, this could interact with the coding in Light  to bring about a primal music through the all encompassing geometrical structure of the body.
I have tried to illustrate this primal music factor in my bio-units (see work).

The strings of numbers and the letters in my bio-units could possibly control the undulations within the universe and overcome the primal sound factor which creates distance.

More on the Angle of Approach

The very angle of approach as mentioned in recent posts animates the contents of the oblong due possibly to the minute electrical impulses in the brain connected to perception, and approach releases the staticity of the frame (work).  The frame (work) could also possibly be transported.