Staticity, Creativity, pre-existence and Development

The word 'development' of something means its being released from its envelopment. This means it pre-existed. Here the development of the realities within the system of semi-repeating triangles when designing spaceflight, which would help us overcome huge distances in abbreviated Time episodes, reveals the potential of hidden and simultaneous parallels, the choice of which can be managed by understanding and using the facility of angles of approach (see work an blog).

As mentioned in early posts, the German word 'entwickeln', although suggestive of progress, is also literally the unbinding of what is already there. In a sense creating what is already there brings a sense of staticity and going back and forth in one's own Time Slot.

In both words, ie development and Entwicklung, whatever it is that enfolds relies on human aid to instrument its effect and to realise in our mind's eye or materially what went on; is going on or will go on (God willing). This is yet another aspect useful for the Individual Omnipresence Factor (IOF).

The function of memory is important here and also drawing on the Whole Memory.

Position, Circumstance and the Material

Position is linked to circumstance and there is a link here between the immaterial and material, ie; "well, if you take that position." Position is linked to Time and object and change and Raum, with each position/circumstance being of varying volume and reality engagement. It evolves at a different time and in a different passage of Time.

As a person views a circumstance from a different angle, this angle has been moulded by a previous circumstance, which brings physical and mental position and also myth and real into contact. These circumstances, ie, happening and human have all been instructed by cosmic and Earth's forces and they exist on a flat geometrical plane. Therefore there is a potential for identifying and reaching areas in the universe, which could be linked, especially with regard to their related Time phases.
Once again superimposing personal omnipresence onto the overall omnipresence energy factor and then withdrawing it once the desired destination, ie, position had been reached could help here.

Considering New Speed and Distance Ratios and Safety in Designing Spaceflight

I feel it is necessary to engage the spaceship in a large and repeating triangular movement once it is technically beyond the solar system in order to gain access to other speed to distance ratios, such as those contained within the 60 Dimension ( see early posts and work).

The circumstances relevant to human space travel beyond our solar system can be artificially induced and, as mentioned, are relevant in factors such as overcoming the controlling elements on humans of our local planets, as these possibly even weave  our physical composition.

The held state of entropy and the momentary many lives approach maybe useful as here the human relates angularly in a single very short moment to all the cosmic forces which determined and are related to the (his) repeated states of formation and finalities. He is then in a numbed Time abbreviated state which overrides the present cosmic and solar system related influences. Understanding the brain's reaction with regard to forgiveness and letting go maybe helpful here.

More on Omnipresence with Regard to Spaceflight

A spaceship would travel at up to a fraction less (0.6 percent?) of the speed of light, thus enabling a transfer of the individual omnipresence into/onto the general energy of omnipresence.

At this point, which would have aspects of a held or detained continuum, the many lives aspect ( see blog) would take place.

Concerning Body Temperature and Light with Regard to Spaceflight

The reduction in body temperature of 2 degrees centigrade (see blog) enables the astronaut's  composition to adjust to the Light speed and abundance factors existing during my ideas on spaceflight (my daughter tells me one would be dead then, but I am writing it as it is given). These factors enable the geometrical structure of the astronaut to interact with Light and code it with regard to the information needed to help conduct the flight. ( see here work on semi-repeated triangular Flight tracks).

In order to calculate the above perhaps a square graph with two aspects would be required with fixed and evenly spaced points of reference along the upper line of the square and along the right side and diffuse more random guages along the lower and left side of the square. This would enhance factors such as the points on the compass ie N.S.E. and West with their Time and Light dictates. The diffuse gauge on the left and bottom part of the graph would most probably be colour, shade and hue references.

More on Light and the Entropy Factor

The Light mentioned in the first paragraph of the post: The use of the Entropy Factor when Designing Spaceflight,  of October 2016, is subject to the Light Grades mentioned in my work.

It is important when defining these grades of Light to have colour definitions integrated into them, similar to the definitions within the electro magnetic scale.

Light and the Behaviour of Cosmic Bodies

The Light Quantity extends to the body (I am thinking here of cosmic bodies) and then it interacts with the properties of that body's mass or content. It interacts especially with the factor of mass.

This interaction creates the behaviour of the body. In order to control such a situation one has to consider creating temperature variances - usually a reduction of the temperature of about two degrees centigrade. Temperature interacts subtlely with  Light and this allows for very slight but powerful colour inferences to be programmed into it which could possibly lead to enabling the changing of a planet's position.