It seems that Time, physicality, material content and Circumstance generally is compounded by a sound based related reaction and gains actuality by the on-going, actual and linked faculty in Light (see work).
All of these factors are part of a sheet of permanence enacted according to the General Light Sheet, (see recent post),
The General Light Sheet covers all Time Projections and is imminent.
The Foregone Time mentioned in post Geometrical Time' draws on Epochs (see recent posts) by using the integrating link between the geometrical pattern around the earth at the present Moment and the geometrical patterns of the past. This process is facilitated by sound as the patterns are ultimately linked by language.
They are linked at power nodes at apexes on the network and have a depth involvement. This depth involvement indicates the crucial connection between partial spheres and straight lines.
(there is a link here to colour and volume).
(see post 29.12.2015, More on Past Time Utilization for Space Travel)
The three second Time Collective, also termed a three second bridge, as mentioned in recent work should be translated into my smallest Time units, then related to a complete set of one to thirty-six of my 36er system (see early posts).
Each tiny fraction of the three seconds should be given a symbol from my alphabet (see early posts) and then be given a ratio to substance using nanometers and hydrogen, or their substitutes.
This should then be programmed in a way that it can be installed into and used by my initial one centimeter (see blog) of my 36er system. I feel my/a five alternative computer programming technology is necessary here (see blog).
The factors mentioned in my previous article on hydrogen and Light are relevant to my ideas on the doubling back of the arms of a triangle once the ship has reached the peak (according to the laws of Visual scope).The arms are the same in nature as the parallel lines accompanying the ship as it travels through space, ie programmed streams of information which facilitate the journey.
Upon doubling back the arms broaden to form a square, with the square ie the new upper line horizontal to the line containing the point of origin of the ship's passage towards the new peak.
There is now a considerable amount more of measured Reality involved. Reality in terms of Raum and it's related Time - the latter being an almost instantaneous functional calculation when using the concept of visual scope (see blog) and concepts such as angle of approach. (see work).
Using especially the Angle of approach and the different definitions of estimating position in space to those used when estimating position on earth, the two horizontal lines become very close/can be seen as very close, the second line having the active role in this and the square is now seen as an upright square.
I think this is what I have been saying about seeing the ship constantly passing through upright squares.
The reverting arms of the triangle have consumed a greater amount of distance than they did when the triangle was formed and the relationship to the mind when using visual scope with regard to an almost instantaneous assessment of distance, yet retaining the observer/point of origin in an initial position enables Time Taken reassessment in various forms to take place, ie marrying the new amount of distance-reality to area related Time factors and condensing them or viewing the original journey to the peak as being a future which is now in the past.
Remember, as we measure things the second line is only now fractionally behind the first line, but it has consumed vast amounts of reality while gaining that position and the Time parameters related to those amounts/positions of Reality (see work) enable the careful matching of moments needed to overcome great distances.
