When beaming from Deal in Kent to Laos one needs a sun line (see blog) of 28.21 cm at a 70.6° angle measured from a horizontal position. The line, as mentioned in work, consists of seemingly randomly positioned semi animate 'pixels' - perhaps charged charcol particals, perhaps minute number(s) particals.which interact with the information given on blog and in my work on my world map.
The semi animate 'pixels' are crystaline structures which are a result of transferring the sun's rays through the brain. This aspect of the brain can be simulated. The 'pixels' help desynchronise gravity and mass and knock out the time factor associated to travelling to the extent mentioned in work.
As mentioned in blog the word energy involved in the word relinquishment is the first aspect in beaming. When the destination is reached 'be' is the second aspect needed, then 'have' the third as one integrates with the new surroundings. The words have to be specifically programmed to attain intonation covering the intention, i.e.details of distance and Time etc.
As mentioned one has skin orgasms when beaming and with the correct utilization of the number and light energy involved it can be used to heal the beamed subject, even of hereditary ailments.
Dienstag, 28. Mai 2013
Samstag, 27. April 2013
First Steps in Using Human Physicality in Spaceflight
To continue my essay on the position of the heart within outer space at specific Times and in specific positions as the journey proceeds I would add that it relates to forty-five years on the life span scale. The 45 years is denoted by the area in Time-Volume indicated in work according to the diamond locator when measuring the approach to Arieles. The 45 years, of course, remains static throughout the permanent change in lives, Time and position (see blog). It has an Information Square value size of twelve inches squared, which involves the informatioon in computerised semi animate form on area, Time-Volume, visual scope,. temperature, hazzard and gravity. This information can be put into bio unit form and contained/related within the musical coding in Light.
The 45 within the 36er system is transcribed as being two measuring squares or Light widths, i.e. 1-10 plus 1-10 to the right and two down. This relates to the above positioning with regard to its presentation by the diamond locator when depicting an area in space, and on a 12" squared computer screen.
The 45 indicated within the 36er system is a 36 symbol, a sixer symbol and then three of the initial five strokes (see blog). These are the diagrammatical equivalents of 45, and the related area definitions within outer space.
The 45 within the 36er system is transcribed as being two measuring squares or Light widths, i.e. 1-10 plus 1-10 to the right and two down. This relates to the above positioning with regard to its presentation by the diamond locator when depicting an area in space, and on a 12" squared computer screen.
The 45 indicated within the 36er system is a 36 symbol, a sixer symbol and then three of the initial five strokes (see blog). These are the diagrammatical equivalents of 45, and the related area definitions within outer space.
Vision Voltage and Beaming
The vision voltage aspect mentioned in work can be used for beaming and controlling ships in space as this transmuted energy can desynchronise gravity and mass, which is a factor necessary if we are going to establish beaming in conventional physics. I am sure vision voltage which is a transcribed sun energy can be harnessed and applied to our mobiles to facilitate beaming.
Time can be partially manipulated which is also necessary for beaming, by understanding the musical quality in light, (see blog) especially using my information on Light and my scale for measuring light. When desynchronising mass and gravity I would recommend a one to three ratio continually exchanging between both factors and the time and other factors allowed for beaming as mentioned in work regulated to match this.
Time can be partially manipulated which is also necessary for beaming, by understanding the musical quality in light, (see blog) especially using my information on Light and my scale for measuring light. When desynchronising mass and gravity I would recommend a one to three ratio continually exchanging between both factors and the time and other factors allowed for beaming as mentioned in work regulated to match this.
Human physicality and Spaceflight
209.364 28.30.91 with the 28.30.91 being written smaller and at half the height of the 209 364 is the bio unit representing the heart aspect within space flight or more accurately a space journey.
A bio unit is a musical expression within the decimal broken state mentioned in work and in this sense refers to a part of the body associated to a varying position within the vastness of the universe. A bio unit thus expressed is the working power within, sight and within physical objects. Its temporal position can be described as Q or q, which involves in this case three seconds and these three seconds relate to its transferrable spatial position of 2.839.28 squared inches, when viewed from an all important visual distance of 12 inches, and when surrounded by a reality frame (see blog). See work on relative size in the 60Dimension.
The transferrable positionn of the heart or bio unit as illustrated above is within stage three of a computer programme.
I don't know if these figures are a lot of nonsense but I can't express it in any other way. Maybe the figures in my work are accurate or maybe not. Maybe they will just inspire someone with more mathematical knowledge than me to work out some of the ideas in my work.
The visual distance mentioned above is the distance realised by the individual's consciousness when viewing a situation or object. This consciousness has great relevance in the individual omnipresence calculations needed for successful space travel (see blog). 12 inches is the maximum and is associated to the actual distance mentioned in my work on visual scope. Also actual distance can be calculated and varied according to the energy in spectral intakes, causing time to vary. The 12" vary too but both of these aspects react seemingly indiscrimanently from each other. There is, however, an angular relationship between the units on both scales and this follows an intricate pattern of recognition, especially that of organising the relationship of time to the permanent change in the position of items of reality.
A bio unit is a musical expression within the decimal broken state mentioned in work and in this sense refers to a part of the body associated to a varying position within the vastness of the universe. A bio unit thus expressed is the working power within, sight and within physical objects. Its temporal position can be described as Q or q, which involves in this case three seconds and these three seconds relate to its transferrable spatial position of 2.839.28 squared inches, when viewed from an all important visual distance of 12 inches, and when surrounded by a reality frame (see blog). See work on relative size in the 60Dimension.
The transferrable positionn of the heart or bio unit as illustrated above is within stage three of a computer programme.
I don't know if these figures are a lot of nonsense but I can't express it in any other way. Maybe the figures in my work are accurate or maybe not. Maybe they will just inspire someone with more mathematical knowledge than me to work out some of the ideas in my work.
The visual distance mentioned above is the distance realised by the individual's consciousness when viewing a situation or object. This consciousness has great relevance in the individual omnipresence calculations needed for successful space travel (see blog). 12 inches is the maximum and is associated to the actual distance mentioned in my work on visual scope. Also actual distance can be calculated and varied according to the energy in spectral intakes, causing time to vary. The 12" vary too but both of these aspects react seemingly indiscrimanently from each other. There is, however, an angular relationship between the units on both scales and this follows an intricate pattern of recognition, especially that of organising the relationship of time to the permanent change in the position of items of reality.
Mittwoch, 17. April 2013
Ageing-Time and Temperature
Ageing-Time with regard to the 73 years life span aspect of spaceflight (see blog) is controlled by Temperature. A 3° fluctuation (reduction) within the ship, resulting in a 0.75° reductionn in body temperature governs the 73 year ageing process.
This Time process runs on one level as does the many lives immortality aspect of spaceflight (see blog). The 73 years runs repeatedly outside of ship, while the reduction in body temperature maintains a fractional ageing Time difference within the ship.
The two aspects of temperature mentioned above are carefully balanced with the temperature outside of the ship, with the minute changes mentioned controlling the temperature problems outside of the ship.
A conducting element of sound coming from within the ship which conveys the temperature control outside as it does inside the ship is recorded within the reality frame surrounding the ship and modifies the extreme temperatures of outer space.
Temperature or a certain degree of heat exists throughout the universe and heat is a form of medium within it. Balancing this medium and initiating a condition just above inertia or a state of temperature equilibrium through sound distributing heat 'molecules' evenly creates an equilibrium of almost static ageing wihin the ship. The sound can originate as normal human functions from within the ship.
This Time process runs on one level as does the many lives immortality aspect of spaceflight (see blog). The 73 years runs repeatedly outside of ship, while the reduction in body temperature maintains a fractional ageing Time difference within the ship.
The two aspects of temperature mentioned above are carefully balanced with the temperature outside of the ship, with the minute changes mentioned controlling the temperature problems outside of the ship.
A conducting element of sound coming from within the ship which conveys the temperature control outside as it does inside the ship is recorded within the reality frame surrounding the ship and modifies the extreme temperatures of outer space.
Temperature or a certain degree of heat exists throughout the universe and heat is a form of medium within it. Balancing this medium and initiating a condition just above inertia or a state of temperature equilibrium through sound distributing heat 'molecules' evenly creates an equilibrium of almost static ageing wihin the ship. The sound can originate as normal human functions from within the ship.
Sonntag, 14. April 2013
The Relevance of My 36
The parallel Lines around the 0 in my 36, (see blog) can be given different sizes. These indicate the different sizes of the 0 which vary according to the presence needed, up to the size of omnipresence.
The 0 in one respect relates its object, i.e. the ship to staticity/infinity (see previous post) and the length of the parallel lines outside the 0 in my digit representing 36 is used to relate the size of the presence needed with the length of each 60D phase of each journey.
The length of each 60D depth phase is dependent on the density of Time-Volume present (see details on Blog) and vacuum exsisting in an area. Once these factors have been ascertained space (Raum) can be modified (bent or discarded), factors which help in space flight when covering enormous distances.
The ship has a relationship to infinity for the following reasons; the 0 in the 36, in this case the ship, is surrounded by parallel lines. Also the space taveller has to relate his life to the immortality aspect in order to align 60Dwith 20D travelling (see blog) (20D, as mentioned, is the four dimensional Earth experience). It also relates to the yes, no, more, less, maybe, five alternative computer system mentioned and to the ethics code illustrated in work. These give life, action, furtherance to the static state of presence shown by the 0 and to the infinity aspect and take the danger out of the immortality control. I would mention here (that the 0 also means six and Nothing.
See work on journey to Arieles to draw relationships between the size of the 0 neeeded to co-ordinate it with different areas in the universe.
The parallel lines around the 0 are designed in size as decimal fractions relating to multiples of any 36. They make possible the utilization of diagramme, and a universally applicable whole number and the massive potential of a broken state, i.e. fractional Time and Space.
The 0 in one respect relates its object, i.e. the ship to staticity/infinity (see previous post) and the length of the parallel lines outside the 0 in my digit representing 36 is used to relate the size of the presence needed with the length of each 60D phase of each journey.
The length of each 60D depth phase is dependent on the density of Time-Volume present (see details on Blog) and vacuum exsisting in an area. Once these factors have been ascertained space (Raum) can be modified (bent or discarded), factors which help in space flight when covering enormous distances.
The ship has a relationship to infinity for the following reasons; the 0 in the 36, in this case the ship, is surrounded by parallel lines. Also the space taveller has to relate his life to the immortality aspect in order to align 60Dwith 20D travelling (see blog) (20D, as mentioned, is the four dimensional Earth experience). It also relates to the yes, no, more, less, maybe, five alternative computer system mentioned and to the ethics code illustrated in work. These give life, action, furtherance to the static state of presence shown by the 0 and to the infinity aspect and take the danger out of the immortality control. I would mention here (that the 0 also means six and Nothing.
See work on journey to Arieles to draw relationships between the size of the 0 neeeded to co-ordinate it with different areas in the universe.
The parallel lines around the 0 are designed in size as decimal fractions relating to multiples of any 36. They make possible the utilization of diagramme, and a universally applicable whole number and the massive potential of a broken state, i.e. fractional Time and Space.
Static Time Frames
A static Time Frame, which can involve the Person denotes infinity. However, the individual Time frame is infinity and not the overall condition/picture it is in, i.e. that successive Time frames follow and preceed the static Time frame and that outside the walls of the Time frame there is a Time flow which can be relativised to it. Once we percieve that things involved in the Static Time Frame are necessarily changing in relationship to each other we can associate this to their encompassing static Time frame and induce a Time flow, regulating its speed at will.
This aspect can be used in connection with the 'switch on' immortality needed to cover massive distances in space travel (see blog) and can be used to regulate the 73 years, i.e. a distance of one life span needed for a standared space journey.
This aspect can be used in connection with the 'switch on' immortality needed to cover massive distances in space travel (see blog) and can be used to regulate the 73 years, i.e. a distance of one life span needed for a standared space journey.
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